Add to ORKGA follow on special issue from the issue: "Improvisation and Social Inclusion" (Vol. 38, Issue 5)
This article investigates how community music scholarship has taken up inclusion. Using a modified s...
Special issue editors Daniel Fischlin and Eric Porter introduce this issue of Critical Studies in Im...
This article considers the freedom for the musician that exists within different kinds of music impr...
This editorial frames the problem of improvisation as both an embodied social practice and an "unth...
Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literatu...
This is the final version of the article. Available from the publisher via the link in this record.T...
What do we mean by ‘performing indeterminacy’? Performance is, on one level, always an act of substa...
The first part of the article focuses on how an accident or unexpected event may influence a perform...
Improvisation has a long history as a part of the creative processes of performers and composers of ...
This intervention appears in Distributed Creativity: Collaboration and Improvisation in Contemporary...
The symposium IMPRO TALKS was held in October 2016 at the Zurich University of the Arts and to our k...
Notions of subjectivity and individuality pervade the discourse around jazz and non-idiomatic improv...
Improvising is common across many musical times and practices. Improvising was central to early Gree...
The issue of migrations, owing to its strong cultural relevance, offers a preferential outline of th...
This chapter examines the role of improvisation in a range of musical styles: classical, jazz, folk,...
This article investigates how community music scholarship has taken up inclusion. Using a modified s...
Special issue editors Daniel Fischlin and Eric Porter introduce this issue of Critical Studies in Im...
This article considers the freedom for the musician that exists within different kinds of music impr...
This editorial frames the problem of improvisation as both an embodied social practice and an "unth...
Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literatu...
This is the final version of the article. Available from the publisher via the link in this record.T...
What do we mean by ‘performing indeterminacy’? Performance is, on one level, always an act of substa...
The first part of the article focuses on how an accident or unexpected event may influence a perform...
Improvisation has a long history as a part of the creative processes of performers and composers of ...
This intervention appears in Distributed Creativity: Collaboration and Improvisation in Contemporary...
The symposium IMPRO TALKS was held in October 2016 at the Zurich University of the Arts and to our k...
Notions of subjectivity and individuality pervade the discourse around jazz and non-idiomatic improv...
Improvising is common across many musical times and practices. Improvising was central to early Gree...
The issue of migrations, owing to its strong cultural relevance, offers a preferential outline of th...
This chapter examines the role of improvisation in a range of musical styles: classical, jazz, folk,...
This article investigates how community music scholarship has taken up inclusion. Using a modified s...
Special issue editors Daniel Fischlin and Eric Porter introduce this issue of Critical Studies in Im...
This article considers the freedom for the musician that exists within different kinds of music impr...