This paper takes up the issue of the relation between philosophy and literature, which has somehow characterized the whole history of Western philosophy, and it does so in terms of a discussion of Theodor W. Adorno’s approach to this topic. My account of Adorno in this paper is largely descriptive, and I attempt to capture his view by emphasizing its dialectical complexity: that is, the fact that Adorno constantly sought to avoid either a simple opposition of philosophy and literature, or their simple identification. Finally, I argue that such a dialectical approach can perhaps provide a richer and better understanding of the relation between philosophy and literature than other approaches, such as Richard Rorty’s, who took deconstructionis...