Since Antiquity, the relationship between philosophy and literature has been highly ambivalent. Thus, in Plato’s Republic the poet is opposed to the philosopher, representing emotion and not reason, inspiration and not knowledge. This traditional opposition between the conceptual philosopher and the inspirational poet appears in a new light with the epistemological revalorization of literature observable in particular since the late 18 th century. The crisis of rational philosophy in the wake of the subjectivist Kantian turn and the insight into the contingency of human knowledge lead to the emergence of a new literary philosophical thought which, through its ambiguity, mirrors the epistemological uncertainty of Modernity and the irreductib...