DOIAbstract
François Dallegret profoundly dislikes interviews. Enchanting, enigmatic, mystifying, he is a master at evading questions, and has an amazing disregard for the spoken or written word (with one notable exception – he loves naming his projects). He also doesn’t seem to believe in history, theory or criticism. But he reveres and worships images. ‘I am an image maker’, he told me repeatedly. Dallegret has portrayed himself to many different and equally baffled journalists in a variety of dissimil..
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