François Piron © Karolina Krasouli, d.r. In tandem with his own activities as an art critic and exhibition curator, François Piron has taken part in several collective adventures. Let us thus mention the magazine Trouble, published between 2002 and 2006, which he was one of the founders of, and which, at that time, was one of the forums featuring a generation of artists and critics. Between 2001 and 2006, he co-directed Les Laboratoires d’Aubervilliers, which he helped to set up as a place w..
François Dallegret profoundly dislikes interviews. Enchanting, enigmatic, mystifying, he is a master...
Cette thèse analyse les relations entre les écrits de Michel Butor et les arts plastiques. Si l aute...
Guest curator of group show (photography and video) in hommage to Roland Barthes on the centenary of...
François Mathey (1917-1993), curator then head curator at the Musée des Arts Décoratifs (1953-1985),...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
Yve-Alain Bois, 2010 © d.r., with courtesy of Yve-Alain Bois Disgusted by the way art history was be...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
Julien Prévieux. All rights reserved, 2014 As Elie During suggests in Gestion des stocks, a monograp...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
The monographic exhibition organized by the museum of modern and contemporary art in Nice would seem...
The publication of Magritte’s complete writings in a volume edited by André Blavier means that the B...
That many-facetted character Brian O’Doherty (critic, artist, arts administrator, writer, media pers...
In Michel Leiris face à lui-même, Jean Frémon hones and rounds off a line of thinking embarked upon ...
Pierre Restany died in 2003, fifty years after he embarked on his career as an art critic, and fifty...
François Dallegret profoundly dislikes interviews. Enchanting, enigmatic, mystifying, he is a master...
Cette thèse analyse les relations entre les écrits de Michel Butor et les arts plastiques. Si l aute...
Guest curator of group show (photography and video) in hommage to Roland Barthes on the centenary of...
François Mathey (1917-1993), curator then head curator at the Musée des Arts Décoratifs (1953-1985),...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
Yve-Alain Bois, 2010 © d.r., with courtesy of Yve-Alain Bois Disgusted by the way art history was be...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
Julien Prévieux. All rights reserved, 2014 As Elie During suggests in Gestion des stocks, a monograp...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
The monographic exhibition organized by the museum of modern and contemporary art in Nice would seem...
The publication of Magritte’s complete writings in a volume edited by André Blavier means that the B...
That many-facetted character Brian O’Doherty (critic, artist, arts administrator, writer, media pers...
In Michel Leiris face à lui-même, Jean Frémon hones and rounds off a line of thinking embarked upon ...
Pierre Restany died in 2003, fifty years after he embarked on his career as an art critic, and fifty...
François Dallegret profoundly dislikes interviews. Enchanting, enigmatic, mystifying, he is a master...
Cette thèse analyse les relations entre les écrits de Michel Butor et les arts plastiques. Si l aute...
Guest curator of group show (photography and video) in hommage to Roland Barthes on the centenary of...