Yve-Alain Bois, 2010 © d.r., with courtesy of Yve-Alain Bois Disgusted by the way art history was being taught in French universities, Yve-Alain Bois enrolled in the Ecole des Hautes Etudes en Sciences Sociales (EHESS), where Roland Barthes supervised first his degree and then his dissertation. On Barthes’ advice, he also attended Hubert Damisch’s seminar. Deeply involved in that intellectual ferment, he met Jacques Derrida, read Claude Lévi-Strauss and Walter Benjamin, was introduced to ling..
The anti-authorial criticism voiced in La mort de l’Auteur is probably Roland Barthes’ most direct a...
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Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
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The publication of Magritte’s complete writings in a volume edited by André Blavier means that the B...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
Roland Barthes at the Collège de France studies the four lecture courses given by Barthes in Paris b...
Although various researchers proposed projects to document and analyze the birth of the new Musée du...
Focused on Roland Barthes’s notes for the last seminar of his Collège de France lecture series, enti...
Pierre Restany died in 2003, fifty years after he embarked on his career as an art critic, and fifty...
Eric Troncy and Nicolas Bourriaud have had a decisive influence on curatorship and art criticism in ...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
Divisé en deux parties, l’ouvrage publié à l’occasion de l’exposition d’Alain Séchas aux Sables d’Ol...
The anti-authorial criticism voiced in La mort de l’Auteur is probably Roland Barthes’ most direct a...
“How are we to make headway in Jean-Jacques Lebel’s prolific work?” asks Anne Tronche, and not witho...
New critical consideration of the writings and works of Roland Barthes and Victor BurginThe influenc...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
Roland Recht’s inaugural lesson, in fifty dense and elegant pages, punctuated by enlightening quotat...
Traduction mise à jour de Painting as Model (1990), ce recueil de textes rassemble des essais publié...
The publication of Magritte’s complete writings in a volume edited by André Blavier means that the B...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
Roland Barthes at the Collège de France studies the four lecture courses given by Barthes in Paris b...
Although various researchers proposed projects to document and analyze the birth of the new Musée du...
Focused on Roland Barthes’s notes for the last seminar of his Collège de France lecture series, enti...
Pierre Restany died in 2003, fifty years after he embarked on his career as an art critic, and fifty...
Eric Troncy and Nicolas Bourriaud have had a decisive influence on curatorship and art criticism in ...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
Divisé en deux parties, l’ouvrage publié à l’occasion de l’exposition d’Alain Séchas aux Sables d’Ol...
The anti-authorial criticism voiced in La mort de l’Auteur is probably Roland Barthes’ most direct a...
“How are we to make headway in Jean-Jacques Lebel’s prolific work?” asks Anne Tronche, and not witho...
New critical consideration of the writings and works of Roland Barthes and Victor BurginThe influenc...