Add to ORKGPeter London was invited to offer a response to the two part special issue of An Arts-Based Contemplative Pause as a last moment of pause. Peter, in turn, graciously offered his contemplative thoughts that we hope will inspire others to pause and engage their own contemplative reflections inspired by the artist scholar offerings in this special issue
Martindale (2009) suggests that all of art is coming, or has already come, to an end. Following Hege...
In ‘The End of Art: A Real Problem or Not Really a Problem?’ I raised some questions about Arthur Da...
Essay in Pause. Fervour. Reflections on a Pandemic Initiated by the COVID-19 crisis, Pause. Fervo...
The introduction to Part Two of this special issue attends to arts-based and contemplative practices...
Contained here is the Introduction for Part One of the special issue An Arts-Based Contemplative Pau...
When matters of ultimate concern are upon us, the language with which we ordinarily negotiate life r...
Five original small artworks from the series 'Imaginary Landscapes', published in After the Pause ma...
When I initially came to this project, I vaguely remembered hearing of Peter London once before – in...
Editorial Foreword for Artizein: Arts & Teaching Journal 2021. It includes a farewell to retiring co...
Presenting sculpture in public spaces allows for the material world to maintain constant interacti...
Letter from the editors: Peter London, Sally Gradle, Barbara Bickel and Jodi Patterso
This publication, conceived as a collection of individual works resembles both an anthology and an e...
Article contains presentation Patricia Rain Gianneschi gave at the Symposium for the Peter London Pa...
The academy’s separation of the arts from the sciences constricts researchers’ opportunities to enga...
I was fortunate to meet Mr. Malamud and have this interview after he read my article, "Bernard Malam...
Martindale (2009) suggests that all of art is coming, or has already come, to an end. Following Hege...
In ‘The End of Art: A Real Problem or Not Really a Problem?’ I raised some questions about Arthur Da...
Essay in Pause. Fervour. Reflections on a Pandemic Initiated by the COVID-19 crisis, Pause. Fervo...
The introduction to Part Two of this special issue attends to arts-based and contemplative practices...
Contained here is the Introduction for Part One of the special issue An Arts-Based Contemplative Pau...
When matters of ultimate concern are upon us, the language with which we ordinarily negotiate life r...
Five original small artworks from the series 'Imaginary Landscapes', published in After the Pause ma...
When I initially came to this project, I vaguely remembered hearing of Peter London once before – in...
Editorial Foreword for Artizein: Arts & Teaching Journal 2021. It includes a farewell to retiring co...
Presenting sculpture in public spaces allows for the material world to maintain constant interacti...
Letter from the editors: Peter London, Sally Gradle, Barbara Bickel and Jodi Patterso
This publication, conceived as a collection of individual works resembles both an anthology and an e...
Article contains presentation Patricia Rain Gianneschi gave at the Symposium for the Peter London Pa...
The academy’s separation of the arts from the sciences constricts researchers’ opportunities to enga...
I was fortunate to meet Mr. Malamud and have this interview after he read my article, "Bernard Malam...
Martindale (2009) suggests that all of art is coming, or has already come, to an end. Following Hege...
In ‘The End of Art: A Real Problem or Not Really a Problem?’ I raised some questions about Arthur Da...
Essay in Pause. Fervour. Reflections on a Pandemic Initiated by the COVID-19 crisis, Pause. Fervo...