The essay is divided into an introduction, »The Dark Now«, which argues the focus on the oriented agents able or failing to dynamize the utopian locus, and three parts. Part 1, »Living in Fantasyland (Dystopia, also Fake Utopia and Anti- utopia)«, takes Disneyland and its analyses by Marin and others as the paradigm for our lives in such imaginary but also real spaces; it defines Dystopia, as well as its subform of Anti-utopia. Part 2, »We Intellectuals in Post-Fordism«, deals with the thesis that our dystopian rulers have wiped out the barrier between »culture« and economically based politics, with what is Post-Fordism, and what is the situation of intellectuals between wage-labour and self-determination. Part 3, »The Bifurcations and the ...