The aim of this article is to describe, analyse and categorize the literature on technoscience art in general and technoscience art collaborations in particular. I argue that the literature could be characterized by three thematic traditions: pioneer stories, writing aiming at mapping and categorizing, as well as those problematizing and contextualizing the field. Given that earlier research on technoscience art collaborations primarily consists of art historical and anthropological and ethnographic studies, I further discuss the relation between these approaches and intend to provide a connection between them. Whereas art historical studies are more concerned with issues concerning art history as a discipline, ethnographic studies tend to ...