Although many of the artworks evolved through experimentation with physical materials and emphasized perception, influential artists and theorists have framed the Art and Technology movement of the late 1960\u27s and early 1970\u27s as part of a transition towards dematerialization, predicting that advances in technology would allow artworks to deal more purely with information and become more interactive. This thesis proposes to contextualize a body of artwork that I completed, by comparing attitudes and artworks from the Art and Technology trend with those of contemporary technology art. Because contemporary artists are now working with simpler, more tactile technologies and share stated goals with Art and Technology, the comparison aims ...