Add to ORKGFilm titles can have several informative and aesthetic functions in a film. Despite the interest and acknowledgement they awaken among scholars and spectators, the communicative possibilities of film credits are still quite an unknown subject. This paper suggests a sociological, historical, linguistic and aesthetic overview of different aspects related to film credits, in order to provide some elements with which to analyze and understand them
This paper presents an analytical look at the opening credit sequences of movies. Starting with a ch...
The article discusses a problem of film naming and focuses on the film title as a specific naming un...
Modern communicative processes are not limited to the frame of verbal lin-guistic and speech means a...
Film titles and credits are probably the most important and most attractive application of motion pi...
During the first decades of Cinema History, before the electronic character generators were invented...
This study presents an investigation of typography as a visual element in context of film opening cr...
An Analysis of the Opening Credit Sequence in Film This paper presents an analytical look at the ope...
The paper deals with the linguistic aspect of a film title. It examines the role and functions of th...
Los títulos de crédito, como primer y último punto de contacto entre film y espectador, podrían comp...
Literary titles have been widely analysed by scholars in different fields such as literature (Genett...
Credits of many films has been formed like something more of a name's list. Authors like Saul Bass o...
The purpose of the article is to analyse the special features of the artistic language of the openin...
Los títulos de crédito son secuencias que cumplen con una función estructural del relato fílmico sie...
The language of the cinema uses many rhetorical and discursive procedures in order to draw the spect...
Most film critics who laid the foundations of film analysis initially exercised their criticism on a...
This paper presents an analytical look at the opening credit sequences of movies. Starting with a ch...
The article discusses a problem of film naming and focuses on the film title as a specific naming un...
Modern communicative processes are not limited to the frame of verbal lin-guistic and speech means a...
Film titles and credits are probably the most important and most attractive application of motion pi...
During the first decades of Cinema History, before the electronic character generators were invented...
This study presents an investigation of typography as a visual element in context of film opening cr...
An Analysis of the Opening Credit Sequence in Film This paper presents an analytical look at the ope...
The paper deals with the linguistic aspect of a film title. It examines the role and functions of th...
Los títulos de crédito, como primer y último punto de contacto entre film y espectador, podrían comp...
Literary titles have been widely analysed by scholars in different fields such as literature (Genett...
Credits of many films has been formed like something more of a name's list. Authors like Saul Bass o...
The purpose of the article is to analyse the special features of the artistic language of the openin...
Los títulos de crédito son secuencias que cumplen con una función estructural del relato fílmico sie...
The language of the cinema uses many rhetorical and discursive procedures in order to draw the spect...
Most film critics who laid the foundations of film analysis initially exercised their criticism on a...
This paper presents an analytical look at the opening credit sequences of movies. Starting with a ch...
The article discusses a problem of film naming and focuses on the film title as a specific naming un...
Modern communicative processes are not limited to the frame of verbal lin-guistic and speech means a...