During the first decades of Cinema History, before the electronic character generators were invented, title sequences were drawn in paper, filmed and manually edited in the movies. One of the many anonymous members of the technical team, usually skilled in the craft of design, was put in charge of drawing the signs, the textual and graphic symbols with whom the film story begun. The vast majority of those papers has been lost, but there are still examples that allow us to study how credit titles were made before the electronic and digital systems irrupted in the cinematographic industry. This article analyzes the physical, functional and symbolic role of these documents based on the study of a collection of signs and credit titles that are ...
Cine experimental (1945). El documental en el mundo. Cine experimental. (6):369-369. http://hdl.hand...
Nosferatu (2005). Cine francés 1945-1959. De la posguerra a la nouvelle vague. Donostia Kultura. htt...
This research studies the visual communication of the posters of the film series, a message that las...
During the first decades of Cinema History, before the electronic character generators were invented...
Film titles can have several informative and aesthetic functions in a film. Despite the interest and...
Film titles and credits are probably the most important and most attractive application of motion pi...
Los títulos de crédito son secuencias que cumplen con una función estructural del relato fílmico sie...
This research studies the visual communication of the posters of the film series, a message that las...
Los títulos de crédito, como primer y último punto de contacto entre film y espectador, podrían comp...
Many important filmmakers have perfected their cinematographic technique by filming advertisements. ...
Recensión sobre la obra Marca e identidad del cine español. Proyección nacional e internacional entr...
From the viewpoint of Documentation science, the preservation and description of the movie poster fo...
Éste es un estudio de los documentos (cartas, telegramas, libros dedicados, anotaciones manuscritas...
Esta investigación tiene como objeto de estudio la comunicación visual de la cartelería de las pelíc...
Laínez, JC. (1998). El cine clásico de Hollywood. Estilo cinematográfico y modo de producción hasta ...
Cine experimental (1945). El documental en el mundo. Cine experimental. (6):369-369. http://hdl.hand...
Nosferatu (2005). Cine francés 1945-1959. De la posguerra a la nouvelle vague. Donostia Kultura. htt...
This research studies the visual communication of the posters of the film series, a message that las...
During the first decades of Cinema History, before the electronic character generators were invented...
Film titles can have several informative and aesthetic functions in a film. Despite the interest and...
Film titles and credits are probably the most important and most attractive application of motion pi...
Los títulos de crédito son secuencias que cumplen con una función estructural del relato fílmico sie...
This research studies the visual communication of the posters of the film series, a message that las...
Los títulos de crédito, como primer y último punto de contacto entre film y espectador, podrían comp...
Many important filmmakers have perfected their cinematographic technique by filming advertisements. ...
Recensión sobre la obra Marca e identidad del cine español. Proyección nacional e internacional entr...
From the viewpoint of Documentation science, the preservation and description of the movie poster fo...
Éste es un estudio de los documentos (cartas, telegramas, libros dedicados, anotaciones manuscritas...
Esta investigación tiene como objeto de estudio la comunicación visual de la cartelería de las pelíc...
Laínez, JC. (1998). El cine clásico de Hollywood. Estilo cinematográfico y modo de producción hasta ...
Cine experimental (1945). El documental en el mundo. Cine experimental. (6):369-369. http://hdl.hand...
Nosferatu (2005). Cine francés 1945-1959. De la posguerra a la nouvelle vague. Donostia Kultura. htt...
This research studies the visual communication of the posters of the film series, a message that las...