Horror is a relatively new emotion. It is based on the subversion of a scientific account of the world. Therefore, it could not have existed prior to the establishment of such an account. Furthermore, it is unique because it can only be experienced through a fictional medium, as only a fictional medium allows the violation of the scientific, or natural, account of the world. There are several schools of thought that attempt to explain the phenomenon of fictional emotions, but \u27irrationality\u27 appears to be the most in touch with the scientific understanding of how the brain processes fictional emotions. Ultimately, horror is based on defamiliarization, or ostranenie, which is the essence of all art
Horror film has risen to popularity over the past few decades and, as a genre, has taken the world o...
“It seems an unaccountable pleasure which the spectators of a well-written tragedy receive from sorr...
How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and d...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
Over the past half century, theorists have grappled with the issue that spectators engage with, and ...
Why is horror so absent from the American stage? How can contemporary theatre makers go about creati...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic pers...
Horror film has risen to popularity over the past few decades and, as a genre, has taken the world o...
“It seems an unaccountable pleasure which the spectators of a well-written tragedy receive from sorr...
How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and d...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
The horror genre (in film, literature etc.) has, for its seemingly paradoxical aesthetic appeal, bee...
Over the past half century, theorists have grappled with the issue that spectators engage with, and ...
Why is horror so absent from the American stage? How can contemporary theatre makers go about creati...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic pers...
Horror film has risen to popularity over the past few decades and, as a genre, has taken the world o...
“It seems an unaccountable pleasure which the spectators of a well-written tragedy receive from sorr...
How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and d...