How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and disturbance in their respective audiences. The rhetorical and stylistic strategies employed to evoke these feelings are unique to the genre. Divulging these strategies will be the major focus of this thesis, yet there will also be discussion on the social and cultural background of the Horror genre
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Why is horror so absent from the American stage? How can contemporary theatre makers go about creati...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
When a horror movie delivers a scare to an audience member, it is able to achieve something that is ...
My dissertation advances a new methodology for studying horror cinema, which I call “thinking throug...
My dissertation advances a new methodology for studying horror cinema, which I call “thinking throug...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Fear-inducing narratives can be divided into two subtypes of horror and dread. While horror stories ...
According to common opinions, horror films are the art of monstration par excellence, whereas horror...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Why is horror so absent from the American stage? How can contemporary theatre makers go about creati...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
We usually define “fear” as a negative emotion, which is unpleasant. Normally, we desperately want t...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
When a horror movie delivers a scare to an audience member, it is able to achieve something that is ...
My dissertation advances a new methodology for studying horror cinema, which I call “thinking throug...
My dissertation advances a new methodology for studying horror cinema, which I call “thinking throug...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Horror is a relatively new emotion. It is based on the subversion of a scientific account of the wor...
Fear-inducing narratives can be divided into two subtypes of horror and dread. While horror stories ...
According to common opinions, horror films are the art of monstration par excellence, whereas horror...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...
Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cy...