An essay revisiting Roman Ingarden’s The Literary Work of Art (1931) to extract the idea of 'noemata' or intellectual schema in works of art that signal the presence of a more archaic figure – the Aristotelean notion of autonomous 'ideal concepts' as content for intellection itself. Ingarden’s recourse to a poetics versus a form of structuralism spared the work of art (literary and otherwise) from reduction to pure phenomenological spectrality
This study refers the readers back to the debate, initiated by 20th-c. Polish phenomenologist R. Ing...
In the vast field of Roman Ingarden's ontology, film seems to occupy very little space. Indeed, Inga...
We live in a world in which visiting a museum, listening to music or reading a book has become commo...
An essay revisiting Roman Ingarden’s The Literary Work of Art (1931) to extract the idea of 'noemata...
The article reconstructs the development of Ingarden’s viewpoint on the notions of content and form ...
In this paper, I attempt to formulate an Ingardenian conception of the literary work’s aesthetic val...
The paper seeks to apply the work of the Polish phenomenologist Roman Ingarden to certain problems i...
I discuss the phenomenological approach to the creative apprehension of a literary artwork along the...
The problem of metaphysical qualities plays an important role in Roman Ingarden’s concept of a liter...
The main task for imagination in Roman Ingarden’s theory of literary work is to reconstruct fictiona...
Each work of literature creates its own world of fiction and presents a series of events that bring ...
Questions central to the ontology of art include the following: what sort(s) of things are works of ...
In the book The Work of Music and the Problem of Its Identity Roman Ingarden presented multi‑sided c...
The question about a painting artwork assumes that its ontological, cognitive as well as aesthetic s...
Roman Ingarden (1893-1970) – phénoménologue polonais disciple et critique de Husserl – est une des g...
This study refers the readers back to the debate, initiated by 20th-c. Polish phenomenologist R. Ing...
In the vast field of Roman Ingarden's ontology, film seems to occupy very little space. Indeed, Inga...
We live in a world in which visiting a museum, listening to music or reading a book has become commo...
An essay revisiting Roman Ingarden’s The Literary Work of Art (1931) to extract the idea of 'noemata...
The article reconstructs the development of Ingarden’s viewpoint on the notions of content and form ...
In this paper, I attempt to formulate an Ingardenian conception of the literary work’s aesthetic val...
The paper seeks to apply the work of the Polish phenomenologist Roman Ingarden to certain problems i...
I discuss the phenomenological approach to the creative apprehension of a literary artwork along the...
The problem of metaphysical qualities plays an important role in Roman Ingarden’s concept of a liter...
The main task for imagination in Roman Ingarden’s theory of literary work is to reconstruct fictiona...
Each work of literature creates its own world of fiction and presents a series of events that bring ...
Questions central to the ontology of art include the following: what sort(s) of things are works of ...
In the book The Work of Music and the Problem of Its Identity Roman Ingarden presented multi‑sided c...
The question about a painting artwork assumes that its ontological, cognitive as well as aesthetic s...
Roman Ingarden (1893-1970) – phénoménologue polonais disciple et critique de Husserl – est une des g...
This study refers the readers back to the debate, initiated by 20th-c. Polish phenomenologist R. Ing...
In the vast field of Roman Ingarden's ontology, film seems to occupy very little space. Indeed, Inga...
We live in a world in which visiting a museum, listening to music or reading a book has become commo...