Wyobraźnia cielesna w odbiorze dzieł sztuki werbalnej i wizualnej

This study refers the readers back to the debate, initiated by 20th-c. Polish phenomenologist R. Ingarden and taken up by theoretician of art E. H. Gombrich, about the density of spots of indeterminacy in literary and visual texts. M. Merleau-Ponty's cognitively oriented evaluation of painting is also invoked. The author of the article argues for the need to activate corporeality in the reception of artistic texts, verbal and non-verbal alike. The author deals with intermedial/transmedial effects in poetry and painting and forwards the claim that a figurative (tropological) paradigm can be legitimately transposed from literary texts onto texts of visual arts