Abstract: Research was conducted to examine engagement with the EU Culture Programme from the Irish perspec-tive with an emphasis on the performing arts sector. The research aimed to quantify actual levels of Irish participation and identify the barriers to, and benefits for, Irish performing arts organisations pursuing project funding from the EU Culture Programme. Extant statistical data was analysed to create a macro picture of overall Irish participation expressed through quantitative findings. These statistical findings were then examined through qualititative research conducted with individuals and organisations representing Irish international performing arts experience on either a practical or policy level. With an ultimate benefit ...
International audienceUne des priorités affichées du gouvernement New Labour arrivé au pouvoir en 19...
The creative industries have been high on the agenda of policymakers in recent years, as is evidenc...
International audienceInternational comparisons of public cultural expenditure since 2008 and an ass...
In this book, participation in the arts is analyzed as a substantial contributory factor to European...
This report resulted from a number of meetings in the context of The Performative Arts and Pedagogy ...
Rhetoric and reality: Examining the policy-practice interface of European and Irish arts policy.This...
non-peer-reviewedThe overall aim of this research is to explore the experience of career development...
In order to support the arts sector in developing its thinking and practice as well as to inform its...
RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Thea...
peer-reviewedThe creative economy is one of the fastest growing sectors worldwide. It is estimated t...
This study looks at arts funding in Europe in 2019 to understand what role European governments play...
The Public and the Arts 2006 was commissioned by the Arts Council/An Chomhairle Eala on to p...
Ireland’s entry into an €85 billion bailout agreement with the tripartite entity known as the “Troik...
Culture is one of the most important aspects of being human alongside education. A very interesting ...
This double issue of Scene is the first special issue of a peer-reviewed international journal since...
International audienceUne des priorités affichées du gouvernement New Labour arrivé au pouvoir en 19...
The creative industries have been high on the agenda of policymakers in recent years, as is evidenc...
International audienceInternational comparisons of public cultural expenditure since 2008 and an ass...
In this book, participation in the arts is analyzed as a substantial contributory factor to European...
This report resulted from a number of meetings in the context of The Performative Arts and Pedagogy ...
Rhetoric and reality: Examining the policy-practice interface of European and Irish arts policy.This...
non-peer-reviewedThe overall aim of this research is to explore the experience of career development...
In order to support the arts sector in developing its thinking and practice as well as to inform its...
RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Thea...
peer-reviewedThe creative economy is one of the fastest growing sectors worldwide. It is estimated t...
This study looks at arts funding in Europe in 2019 to understand what role European governments play...
The Public and the Arts 2006 was commissioned by the Arts Council/An Chomhairle Eala on to p...
Ireland’s entry into an €85 billion bailout agreement with the tripartite entity known as the “Troik...
Culture is one of the most important aspects of being human alongside education. A very interesting ...
This double issue of Scene is the first special issue of a peer-reviewed international journal since...
International audienceUne des priorités affichées du gouvernement New Labour arrivé au pouvoir en 19...
The creative industries have been high on the agenda of policymakers in recent years, as is evidenc...
International audienceInternational comparisons of public cultural expenditure since 2008 and an ass...