This article is motivated by the opportunity presented by recent advancements in information and communication technology – particularly by faster broadband connections and faster digital media processing capabilities – to interactive television to extend towards and develop interactive storytelling or interactive narratives. This will give viewers the ability to shape and configure the programmes they watch, whilst watching, according to their needs and desires. Rather than consuming a predefined linear narration – represented by the traditional dramatic or factual programme – which has to address the potential audience as a whole, individuals or group of viewers can receive tailored made personal narratives. Each viewer can thus potential...
Storytelling, in oral, visual, or written forms, plays a centralrole in various types of media, incl...
In this paper we explore the relationship between interactivity and narrativity in the context of sc...
Interactive digital media have greatly affected the logics of production, exhibition and reception o...
Abstract. ShapeShifting TV denotes an approach to interactive television pro-grammes that can adapt ...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper is motivated by the question whether television should do more than simply offer interact...
In iTV and online video, narrative interaction has long been a Holy Grail for both audiences and cre...
Nonlinear narrative in general and interactive television in particular is a mix of multiple media a...
4th International Conference, ICVS 2007, Saint-Malo, France, December 5-7, 2007. Proceedings Summ...
Summary results of the assessment of new tools for the generation of reconfigurable screen media (Sh...
International audienceStory generation (including interactive narrative) consists in creating a narr...
A novice to interactive multimedia is confronted by a new medium which transforms narrative structur...
iTV does not yet have truly interactive programmes, that is programmes whose content adapts to the p...
Today, research on i-TV focuses primarily on added services, such as interactive advertising [Lekako...
Storytelling, in oral, visual, or written forms, plays a centralrole in various types of media, incl...
In this paper we explore the relationship between interactivity and narrativity in the context of sc...
Interactive digital media have greatly affected the logics of production, exhibition and reception o...
Abstract. ShapeShifting TV denotes an approach to interactive television pro-grammes that can adapt ...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper is motivated by the question whether television should do more than simply offer interact...
In iTV and online video, narrative interaction has long been a Holy Grail for both audiences and cre...
Nonlinear narrative in general and interactive television in particular is a mix of multiple media a...
4th International Conference, ICVS 2007, Saint-Malo, France, December 5-7, 2007. Proceedings Summ...
Summary results of the assessment of new tools for the generation of reconfigurable screen media (Sh...
International audienceStory generation (including interactive narrative) consists in creating a narr...
A novice to interactive multimedia is confronted by a new medium which transforms narrative structur...
iTV does not yet have truly interactive programmes, that is programmes whose content adapts to the p...
Today, research on i-TV focuses primarily on added services, such as interactive advertising [Lekako...
Storytelling, in oral, visual, or written forms, plays a centralrole in various types of media, incl...
In this paper we explore the relationship between interactivity and narrativity in the context of sc...
Interactive digital media have greatly affected the logics of production, exhibition and reception o...