Summary results of the assessment of new tools for the generation of reconfigurable screen media (ShapeShifting media) and of eight experimental ShapeShifting screen media productions covering genres including news, documentary and drama, are presented from the project New Millennium, New Media. The new tools for creating interactive and reconfigurable narratives depend upon a Narrative Structure Language which is briefly described. Evaluations suggest that whilst not all the productions could be marketed as they are, all the production formats have commercial potential. The tools, whilst presenting some difficulties in use in their current state, offer a control over the development of narrative found in no existing commercial software. © ...
Nowadays, the cinematographic language claims for a specific type of interpretation and understandin...
We define ShapeShifting programmes as interactive and reconfigurable moving image productions that a...
We define ShapeShifting programmes as interactive and reconfigurable moving image productions that a...
4th International Conference, ICVS 2007, Saint-Malo, France, December 5-7, 2007. Proceedings Summ...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
Abstract. ShapeShifting TV denotes an approach to interactive television pro-grammes that can adapt ...
In this paper we explore the relationship between interactivity and narrativity in the context of sc...
This article is motivated by the opportunity presented by recent advancements in information and com...
This paper presents an approach and a computational model, implemented in a software system, for the...
This paper is motivated by the question whether television should do more than simply offer interact...
Ursu M.F., Cook J.J., Zsombori V., Kegel I., Williams D., Hausenblas M., and Tuomola M.L., 2007. “Sh...
The presentation concerns an ongoing practice-based research which aims to explore the ways in which...
iTV does not yet have truly interactive programmes, that is programmes whose content adapts to the p...
Nowadays, the cinematographic language claims for a specific type of interpretation and understandin...
We define ShapeShifting programmes as interactive and reconfigurable moving image productions that a...
We define ShapeShifting programmes as interactive and reconfigurable moving image productions that a...
4th International Conference, ICVS 2007, Saint-Malo, France, December 5-7, 2007. Proceedings Summ...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
This paper presents a paradigm, called ShapeShifting TV, for the realisation of interactive TV narra...
Abstract. ShapeShifting TV denotes an approach to interactive television pro-grammes that can adapt ...
In this paper we explore the relationship between interactivity and narrativity in the context of sc...
This article is motivated by the opportunity presented by recent advancements in information and com...
This paper presents an approach and a computational model, implemented in a software system, for the...
This paper is motivated by the question whether television should do more than simply offer interact...
Ursu M.F., Cook J.J., Zsombori V., Kegel I., Williams D., Hausenblas M., and Tuomola M.L., 2007. “Sh...
The presentation concerns an ongoing practice-based research which aims to explore the ways in which...
iTV does not yet have truly interactive programmes, that is programmes whose content adapts to the p...
Nowadays, the cinematographic language claims for a specific type of interpretation and understandin...
We define ShapeShifting programmes as interactive and reconfigurable moving image productions that a...
We define ShapeShifting programmes as interactive and reconfigurable moving image productions that a...