This article looks at how the collective experience of laughter in the movie theater is related to the idea of the cinema as a public space. Through the non-verbal expression of laughter the audience ‘constructs’ a public space the viewers may not have been aware of to the same degree prior to the collective public expression. Moreover, the public space created through laughter allows for an expedient type of monitoring: inappropriate laughter may be exposed in front of others. With viewers who laugh approvingly about racist violence or misogynist jokes, we can easily lay bare the ethical implications
son suggested that “our laughter is always the laughter of the group” (2003:5). With this observatio...
This article relates to the potential of applied laughter in social science. Here, we explore the “L...
This thesis examines the ways in which laughter is entangled with cultural valuation processes in li...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
Fifty people compiled diaries in which they described the sounds of their daily life in cities aroun...
The current state of cinematic exhibition reflects our modern relationship to the uneasy,\ud diverge...
In this article Joris Vlieghe, Maarten Simons, and Jan Masschelein attempt to articulate a new way o...
Cinemagoing as a sociocultural experience and the cinema theatre as a setting where that experience ...
Human laughter has long been a subject of scholarly interest, but counter to commonly held assumptio...
In his essay On Laughter, first published in France in 1900, Henri Bergson suggested that “our laugh...
Taking Secret Cinema as its site for analysis, this article engages with the question what is ludic ...
Cinemagoing as a sociocultural experience and the cinema theatre as a setting where that experience ...
son suggested that “our laughter is always the laughter of the group” (2003:5). With this observatio...
This article relates to the potential of applied laughter in social science. Here, we explore the “L...
This thesis examines the ways in which laughter is entangled with cultural valuation processes in li...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
Fifty people compiled diaries in which they described the sounds of their daily life in cities aroun...
The current state of cinematic exhibition reflects our modern relationship to the uneasy,\ud diverge...
In this article Joris Vlieghe, Maarten Simons, and Jan Masschelein attempt to articulate a new way o...
Cinemagoing as a sociocultural experience and the cinema theatre as a setting where that experience ...
Human laughter has long been a subject of scholarly interest, but counter to commonly held assumptio...
In his essay On Laughter, first published in France in 1900, Henri Bergson suggested that “our laugh...
Taking Secret Cinema as its site for analysis, this article engages with the question what is ludic ...
Cinemagoing as a sociocultural experience and the cinema theatre as a setting where that experience ...
son suggested that “our laughter is always the laughter of the group” (2003:5). With this observatio...
This article relates to the potential of applied laughter in social science. Here, we explore the “L...
This thesis examines the ways in which laughter is entangled with cultural valuation processes in li...