This article looks at how the collective experience of laughter in the movie theater is related to the idea of the cinema as a public space. Through the non-verbal expression of laughter the audience ‘constructs’ a public space the viewers may not have been aware of to the same degree prior to the collective public expression. Moreover, the public space created through laughter allows for an expedient type of monitoring: inappropriate laughter may be exposed in front of others. With viewers who laugh approvingly about racist violence or misogynist jokes, we can easily lay bare the ethical implications
The current state of cinematic exhibition reflects our modern relationship to the uneasy,\ud diverge...
Fifty people compiled diaries in which they described the sounds of their daily life in cities aroun...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
In this article Joris Vlieghe, Maarten Simons, and Jan Masschelein attempt to articulate a new way o...
In his essay On Laughter, first published in France in 1900, Henri Bergson suggested that “our laugh...
In this article I try to conceive a new approach towards laughter in the context of formal schooling...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
The article explores crowdsourced practices connected to the spaces of filmic consumption. In order ...
The current state of cinematic exhibition reflects our modern relationship to the uneasy,\ud diverge...
Fifty people compiled diaries in which they described the sounds of their daily life in cities aroun...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
This article looks at how the collective experience of laughter in the movie theater is related to t...
In this article Joris Vlieghe, Maarten Simons, and Jan Masschelein attempt to articulate a new way o...
In his essay On Laughter, first published in France in 1900, Henri Bergson suggested that “our laugh...
In this article I try to conceive a new approach towards laughter in the context of formal schooling...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
Since it is first and foremost the cinema that enables—or at least facilitates—concentrated and focu...
The article explores crowdsourced practices connected to the spaces of filmic consumption. In order ...
The current state of cinematic exhibition reflects our modern relationship to the uneasy,\ud diverge...
Fifty people compiled diaries in which they described the sounds of their daily life in cities aroun...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...