The judgment of taste as an aesthetic judgment is rooted in contemplation of a particular object. This judgment comes freely and has no connection with an intention by the subject. In the case of a judgment about the beautiful object is considered attributes a certain beauty to the object as if it were a property that characterizes him. The form in which appear this judgment is possible the emergence a certain of universality of him to the extent that anyone can contemplate the beauty can distinguish it. But it is just aesthetic universality and not logic universality. In the form of this objects is noticeable a finality of nature as a condition a priori that enables knowledge on them. This possibility based on the reflection about the for...
Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorIn the Critique of the Power of Judgment ...
Kant limits aesthetics to judgment of taste. The faculty of judgment issues ugly and beautiful arbit...
Kant organizes his analysis in terms of four moments of the judgment of taste, each of which is supp...
The judgment of taste as an aesthetic judgment is rooted in contemplation of a particular object. Th...
UID/FIL/00183/2019In this entry it is discussed the problem of the "objectivity of aesthetic judgmen...
This article places the problem of the interpretation of Kant's Critique of Judgement systematically...
(in English) The thesis focuses on the conception of taste of Kant in the "Critique of Judgment". Th...
A universalidade do juízo de gosto não tem um princípio objetivo porque não pretende determinar nenh...
Analyzing its main texts, this article aims to elucidate the foundations of Kant's Critique of Judge...
This article presents Kant's Critique of Judgement under three aspects: a) The logical-semantical pr...
The first part of the following text does make the map of an answer to the question of knowing if an...
Probably the fundamental issue about the relation between art and beauty in the Critique of the Powe...
This paper deals with the interpretation of Kant’s Critique of Judgment from the perspective of aest...
Kant is well known for his strict distinction between aesthetic judgments and judgments of determina...
This paper deals with the interpretation of Kant’s Critique of Judgment from the perspective of aest...
Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorIn the Critique of the Power of Judgment ...
Kant limits aesthetics to judgment of taste. The faculty of judgment issues ugly and beautiful arbit...
Kant organizes his analysis in terms of four moments of the judgment of taste, each of which is supp...
The judgment of taste as an aesthetic judgment is rooted in contemplation of a particular object. Th...
UID/FIL/00183/2019In this entry it is discussed the problem of the "objectivity of aesthetic judgmen...
This article places the problem of the interpretation of Kant's Critique of Judgement systematically...
(in English) The thesis focuses on the conception of taste of Kant in the "Critique of Judgment". Th...
A universalidade do juízo de gosto não tem um princípio objetivo porque não pretende determinar nenh...
Analyzing its main texts, this article aims to elucidate the foundations of Kant's Critique of Judge...
This article presents Kant's Critique of Judgement under three aspects: a) The logical-semantical pr...
The first part of the following text does make the map of an answer to the question of knowing if an...
Probably the fundamental issue about the relation between art and beauty in the Critique of the Powe...
This paper deals with the interpretation of Kant’s Critique of Judgment from the perspective of aest...
Kant is well known for his strict distinction between aesthetic judgments and judgments of determina...
This paper deals with the interpretation of Kant’s Critique of Judgment from the perspective of aest...
Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorIn the Critique of the Power of Judgment ...
Kant limits aesthetics to judgment of taste. The faculty of judgment issues ugly and beautiful arbit...
Kant organizes his analysis in terms of four moments of the judgment of taste, each of which is supp...