This article analyzes Apuleius’ _Metamorphoses_ and the ways in which it enacts storytelling on both a contextual and a formal level. Gorman argues that Apuleius creates an alternative countercultural audience for his text, one that resists the Romanization process on the margins of the empire. By questioning the historical moment of production and exploring the political dynamics incorporated into the _Metamorphoses_, she emphasizes the power of the intermediary genre of storytelling, situated between the highly formal epic and the less rule-bound novel
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
This dissertation argues that discourse, broadly defined to include speech, silence, gesture, and te...
Phaedrus, Martial, and Apuleius are aware that their works belong to a ‘low’ literary genre, and the...
In Apuleius' Metamorphoses, the text speaks, introducing itself to its audience in its own voice. Wh...
In Apuleius ’ Metamorphoses, the text speaks, introducing itself to its audience in its own voice. W...
A study on characterization in Apuleius' Metamorphoses. 1) The robber gangs, between fiction and rea...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
The novel emerged as a successful literary form in the Greek-speaking world. Latin culture, instead,...
Most studies of the prologue to Apuleius’ Metamorphoses describe how it anticipates the rhetorical a...
The Metamorphoses or The Golden Ass of Apuleius (ca. 170 CE ) is a Latin novel written by a native ...
Apuleius' novel ambiguously fashions itself both as a written book and as an oral account. However, ...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
In this thesis I explore the narratological paradigm of conversion and its usefulness in interpretin...
In the Roman empire the connection between physical appearances and socio-political identity was esp...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
This dissertation argues that discourse, broadly defined to include speech, silence, gesture, and te...
Phaedrus, Martial, and Apuleius are aware that their works belong to a ‘low’ literary genre, and the...
In Apuleius' Metamorphoses, the text speaks, introducing itself to its audience in its own voice. Wh...
In Apuleius ’ Metamorphoses, the text speaks, introducing itself to its audience in its own voice. W...
A study on characterization in Apuleius' Metamorphoses. 1) The robber gangs, between fiction and rea...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
The novel emerged as a successful literary form in the Greek-speaking world. Latin culture, instead,...
Most studies of the prologue to Apuleius’ Metamorphoses describe how it anticipates the rhetorical a...
The Metamorphoses or The Golden Ass of Apuleius (ca. 170 CE ) is a Latin novel written by a native ...
Apuleius' novel ambiguously fashions itself both as a written book and as an oral account. However, ...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
In this thesis I explore the narratological paradigm of conversion and its usefulness in interpretin...
In the Roman empire the connection between physical appearances and socio-political identity was esp...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
This dissertation argues that discourse, broadly defined to include speech, silence, gesture, and te...
Phaedrus, Martial, and Apuleius are aware that their works belong to a ‘low’ literary genre, and the...