In Apuleius' Metamorphoses, the text speaks, introducing itself to its audience in its own voice. When the text tells the audience to ask the question "Who is this?" it responds by giving a "family" history and linguistic genealogy. While the text highlights storytelling through its plot and situations, it also participates in storytelling, making itself the primary agent of transmission. During a time when ancient Rome highlighted the performances of literary works in order to offer authorized interpretations (that is, the performance of the text would indicate to the audience how to understand it), Apuleius' text makes itself the performer and subordinates the audience to itself. This new relationship of audience to text that was created ...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
Besides a strategy of captatio beneuolentiae, which takes on great importance in the Metamorphoses o...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...
In Apuleius ’ Metamorphoses, the text speaks, introducing itself to its audience in its own voice. W...
This article analyzes Apuleius’ _Metamorphoses_ and the ways in which it enacts storytelling on both...
This dissertation argues that discourse, broadly defined to include speech, silence, gesture, and te...
Most studies of the prologue to Apuleius’ Metamorphoses describe how it anticipates the rhetorical a...
The Metamorphoses or The Golden Ass of Apuleius (ca. 170 CE ) is a Latin novel written by a native ...
Apuleius' novel ambiguously fashions itself both as a written book and as an oral account. However, ...
A study on characterization in Apuleius' Metamorphoses. 1) The robber gangs, between fiction and rea...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
Apulée construit ses personnages de manière fort complexe. En effet, non seulement, ils sont redevab...
The novel emerged as a successful literary form in the Greek-speaking world. Latin culture, instead,...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
Besides a strategy of captatio beneuolentiae, which takes on great importance in the Metamorphoses o...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...
In Apuleius ’ Metamorphoses, the text speaks, introducing itself to its audience in its own voice. W...
This article analyzes Apuleius’ _Metamorphoses_ and the ways in which it enacts storytelling on both...
This dissertation argues that discourse, broadly defined to include speech, silence, gesture, and te...
Most studies of the prologue to Apuleius’ Metamorphoses describe how it anticipates the rhetorical a...
The Metamorphoses or The Golden Ass of Apuleius (ca. 170 CE ) is a Latin novel written by a native ...
Apuleius' novel ambiguously fashions itself both as a written book and as an oral account. However, ...
A study on characterization in Apuleius' Metamorphoses. 1) The robber gangs, between fiction and rea...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
Apulée construit ses personnages de manière fort complexe. En effet, non seulement, ils sont redevab...
The novel emerged as a successful literary form in the Greek-speaking world. Latin culture, instead,...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
Besides a strategy of captatio beneuolentiae, which takes on great importance in the Metamorphoses o...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...