This is a more than capable first book by a Chinese American woman poet whose work evinces great potential. Marilyn Chin is a San Franciscan born in Hong Kong, raised in Oregon, and schooled in the U.S. (Chinese at Massachusetts and creative writing at Iowa). Many of her poems gathered here first saw light in journals like Bridge, Massachusetts Review, New Letters, Kayak and others
In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng...
Early on, without knowing I was part of a movement, I was part of the movement of the Asian American...
The Forbidden Stitch appears to be one of the better anthologies of the work of Asian American women...
With her latest book, Chinese American Portraits, Ruthanne Lum McCunn adds to her growing list of pu...
Sowing Ti Leaves gathers together personal narratives, poems, essays, and a scholarly study which we...
Making Waves is an impressive collection of writings that includes poetry, fiction, and autobiograph...
Review of the book Incorporation of Chineseness. Hybridity, Bodies and Chinese American Literature b...
Even though Asian American literature is enjoying an impressive critical popularity, attention has f...
Frank Chin, a Chinese American playwright and essayist has written, no one . . . was going to tell ...
Wang Ping was born in China, and came to the US in 1985. Her most recent publications include: The ...
Review of author Nicole Mones\u27s works: Lost in Translation (1998), A Cup of Light (2002), The Las...
A review of Swimming in Hong Kong (2016), a short story collection by Stephanie Han
Review of Contemporary Asian Australian Poets edited by Adam Aitken, Kim Cheng Boey & Michelle Cahil...
This accessible, brief, first person essay evaluates the legacy and rhetoric of the 1974 Aiiieeeee!:...
Marilyn Chin visited The College at Brockport in March 1998. She is a Chinese-American poet, writer,...
In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng...
Early on, without knowing I was part of a movement, I was part of the movement of the Asian American...
The Forbidden Stitch appears to be one of the better anthologies of the work of Asian American women...
With her latest book, Chinese American Portraits, Ruthanne Lum McCunn adds to her growing list of pu...
Sowing Ti Leaves gathers together personal narratives, poems, essays, and a scholarly study which we...
Making Waves is an impressive collection of writings that includes poetry, fiction, and autobiograph...
Review of the book Incorporation of Chineseness. Hybridity, Bodies and Chinese American Literature b...
Even though Asian American literature is enjoying an impressive critical popularity, attention has f...
Frank Chin, a Chinese American playwright and essayist has written, no one . . . was going to tell ...
Wang Ping was born in China, and came to the US in 1985. Her most recent publications include: The ...
Review of author Nicole Mones\u27s works: Lost in Translation (1998), A Cup of Light (2002), The Las...
A review of Swimming in Hong Kong (2016), a short story collection by Stephanie Han
Review of Contemporary Asian Australian Poets edited by Adam Aitken, Kim Cheng Boey & Michelle Cahil...
This accessible, brief, first person essay evaluates the legacy and rhetoric of the 1974 Aiiieeeee!:...
Marilyn Chin visited The College at Brockport in March 1998. She is a Chinese-American poet, writer,...
In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng...
Early on, without knowing I was part of a movement, I was part of the movement of the Asian American...
The Forbidden Stitch appears to be one of the better anthologies of the work of Asian American women...