Pwyll ap Siôn discusses Russell Hartenberger\u27s 2016 work. Hartenberger, Russell. Performance Practice in the Music of Steve Reich. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-15150-5
This article explores the boundaries that lie between analysis and sketch study, as found in two wor...
Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions ...
This dissertation examines pattern perception and temporality in the music of Steve Reich. The resea...
Pwyll ap Siôn discusses Russell Hartenberger\u27s 2016 work. Hartenberger, Russell. Performance Prac...
Steve Reich's phase pieces Drumming and Piano Phase continue to test performers. Challenges include ...
Steve Reichs Music for 18 Musicians gehört sicherlich zu den wichtigsten Werken der Musik der zweite...
The rhythm of Steve Reich’s Clapping Music (1972) features in so many of his pieces that it can be u...
This is the concert program of the The Percussion Music of Steve Reich performance on Tuesday, April...
The music of Steve Reich has been widely written about. In this article I will focus on choreographi...
This study examines contextual and structural similarities between Ewe music and the music of Steve ...
This dissertation situates the work of Steve Reich during the mid-to-late 1960s in its intricate soc...
Steve Reich’s music has had a profound effect on the contemporary percussionist’s repertoire. More r...
Visual artist Frank Stella (b. 1936) said about his work, “What you see is what you see.” A member o...
From the early 1980s onwards, Steve Reich’s musical influences evolved. Before the 1980s, he drew fr...
New York Counterpoint (1985) playing over New York scenes intercut with shots of Steve Reich in rehe...
This article explores the boundaries that lie between analysis and sketch study, as found in two wor...
Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions ...
This dissertation examines pattern perception and temporality in the music of Steve Reich. The resea...
Pwyll ap Siôn discusses Russell Hartenberger\u27s 2016 work. Hartenberger, Russell. Performance Prac...
Steve Reich's phase pieces Drumming and Piano Phase continue to test performers. Challenges include ...
Steve Reichs Music for 18 Musicians gehört sicherlich zu den wichtigsten Werken der Musik der zweite...
The rhythm of Steve Reich’s Clapping Music (1972) features in so many of his pieces that it can be u...
This is the concert program of the The Percussion Music of Steve Reich performance on Tuesday, April...
The music of Steve Reich has been widely written about. In this article I will focus on choreographi...
This study examines contextual and structural similarities between Ewe music and the music of Steve ...
This dissertation situates the work of Steve Reich during the mid-to-late 1960s in its intricate soc...
Steve Reich’s music has had a profound effect on the contemporary percussionist’s repertoire. More r...
Visual artist Frank Stella (b. 1936) said about his work, “What you see is what you see.” A member o...
From the early 1980s onwards, Steve Reich’s musical influences evolved. Before the 1980s, he drew fr...
New York Counterpoint (1985) playing over New York scenes intercut with shots of Steve Reich in rehe...
This article explores the boundaries that lie between analysis and sketch study, as found in two wor...
Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions ...
This dissertation examines pattern perception and temporality in the music of Steve Reich. The resea...
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