Pwyll ap Siôn discusses Russell Hartenberger\u27s 2016 work. Hartenberger, Russell. Performance Practice in the Music of Steve Reich. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-15150-5
New York Counterpoint (1985) playing over New York scenes intercut with shots of Steve Reich in rehe...
A brief review of Barry Millington and Stewart Spencer\u27s book Wagner in Performance
This chapter also interrogates Reich’s approach to tonality, at a critical stage of his thinking in ...
Pwyll ap Siôn discusses Russell Hartenberger\u27s 2016 work. Hartenberger, Russell. Performance Prac...
Steve Reich's phase pieces Drumming and Piano Phase continue to test performers. Challenges include ...
The rhythm of Steve Reich’s Clapping Music (1972) features in so many of his pieces that it can be u...
Steve Reichs Music for 18 Musicians gehört sicherlich zu den wichtigsten Werken der Musik der zweite...
This is the concert program of the The Percussion Music of Steve Reich performance on Tuesday, April...
This dissertation situates the work of Steve Reich during the mid-to-late 1960s in its intricate soc...
This study examines contextual and structural similarities between Ewe music and the music of Steve ...
Visual artist Frank Stella (b. 1936) said about his work, “What you see is what you see.” A member o...
Steve Reich’s music has had a profound effect on the contemporary percussionist’s repertoire. More r...
From the early 1980s onwards, Steve Reich’s musical influences evolved. Before the 1980s, he drew fr...
The music of Steve Reich has been widely written about. In this article I will focus on choreographi...
This article explores the boundaries that lie between analysis and sketch study, as found in two wor...
New York Counterpoint (1985) playing over New York scenes intercut with shots of Steve Reich in rehe...
A brief review of Barry Millington and Stewart Spencer\u27s book Wagner in Performance
This chapter also interrogates Reich’s approach to tonality, at a critical stage of his thinking in ...
Pwyll ap Siôn discusses Russell Hartenberger\u27s 2016 work. Hartenberger, Russell. Performance Prac...
Steve Reich's phase pieces Drumming and Piano Phase continue to test performers. Challenges include ...
The rhythm of Steve Reich’s Clapping Music (1972) features in so many of his pieces that it can be u...
Steve Reichs Music for 18 Musicians gehört sicherlich zu den wichtigsten Werken der Musik der zweite...
This is the concert program of the The Percussion Music of Steve Reich performance on Tuesday, April...
This dissertation situates the work of Steve Reich during the mid-to-late 1960s in its intricate soc...
This study examines contextual and structural similarities between Ewe music and the music of Steve ...
Visual artist Frank Stella (b. 1936) said about his work, “What you see is what you see.” A member o...
Steve Reich’s music has had a profound effect on the contemporary percussionist’s repertoire. More r...
From the early 1980s onwards, Steve Reich’s musical influences evolved. Before the 1980s, he drew fr...
The music of Steve Reich has been widely written about. In this article I will focus on choreographi...
This article explores the boundaries that lie between analysis and sketch study, as found in two wor...
New York Counterpoint (1985) playing over New York scenes intercut with shots of Steve Reich in rehe...
A brief review of Barry Millington and Stewart Spencer\u27s book Wagner in Performance
This chapter also interrogates Reich’s approach to tonality, at a critical stage of his thinking in ...