Add to ORKGLittle has been published about the repercussions of different source locations and measuring positions for the LowFrequency Effects (LFE) loudspeakers in cinemas anddubbing theatres. The aim of this study is to determine the effects of the number and position of the loudspeakers on the uniformity of the response over the listening area, and to assess the effect of the measuring of those responses by the choices made regarding the positioning ofthe microphones within typically used arrays
Loudspeaker reproductions of low reverberation recordings are frequently used as sound sources in ex...
Due to standing waves, the sound pressure within a room may vary 20-30 dB. For assessment of annoyan...
Measurement of low-frequency noise in rooms is problematic due to standing wave patterns. The spatia...
Little has been published about the repercussions of different source locations and meas...
The current strategies for the low-frequency calibration of cinema sound systems are based on a flaw...
This paper explores strategies for achieving accurate wide-area low-frequency sound reproduction in ...
Standardized loudspeaker calibration is necessary for consistent reproduction across cinemas. Genera...
It has been customary to perform the calibration of the loudspeaker responses in cinemas with the me...
This paper continues the investigation into the current poor state of sound in cinemas. Specifically...
The advent of digital soundtracks for cinema has brought about the possibility of signi...
The use of third-octave-band equalisation for 'rom' correction and other compensations in cinema stu...
The steady-state amplitude response measured at listening locations in a room is a widely accepted i...
Low-frequency sound source localization generates considerable amount of disagreement between audio/...
Every room has strong influence on the low frequency performance of a loudspeaker. This is often pro...
Many sound systems are set up and equalised using measurements of the frequency response of the lou...
Loudspeaker reproductions of low reverberation recordings are frequently used as sound sources in ex...
Due to standing waves, the sound pressure within a room may vary 20-30 dB. For assessment of annoyan...
Measurement of low-frequency noise in rooms is problematic due to standing wave patterns. The spatia...
Little has been published about the repercussions of different source locations and meas...
The current strategies for the low-frequency calibration of cinema sound systems are based on a flaw...
This paper explores strategies for achieving accurate wide-area low-frequency sound reproduction in ...
Standardized loudspeaker calibration is necessary for consistent reproduction across cinemas. Genera...
It has been customary to perform the calibration of the loudspeaker responses in cinemas with the me...
This paper continues the investigation into the current poor state of sound in cinemas. Specifically...
The advent of digital soundtracks for cinema has brought about the possibility of signi...
The use of third-octave-band equalisation for 'rom' correction and other compensations in cinema stu...
The steady-state amplitude response measured at listening locations in a room is a widely accepted i...
Low-frequency sound source localization generates considerable amount of disagreement between audio/...
Every room has strong influence on the low frequency performance of a loudspeaker. This is often pro...
Many sound systems are set up and equalised using measurements of the frequency response of the lou...
Loudspeaker reproductions of low reverberation recordings are frequently used as sound sources in ex...
Due to standing waves, the sound pressure within a room may vary 20-30 dB. For assessment of annoyan...
Measurement of low-frequency noise in rooms is problematic due to standing wave patterns. The spatia...