Loudspeaker reproductions of low reverberation recordings are frequently used as sound sources in experiments to study the hearing impression in concert halls. The purpose of this study is to ascertain whether a loudspeaker excitation leads to hearing impressions which could be rated as similar by the listener to impressions of an orchestra playing. It becomes evident that the simplified sound source causes essential differences in the individual evaluations of hearing impressions, and results of such experiments cannot therefore be taken as representative. It was part of this study to compare the evaluations of hearing impressions in an empty concert hall with those in the same hall when full. In the case of the hall in question the differ...
An audience's auditory experience during a thrilling and emotive live symphony concert is an intertw...
This study attempts to investigate the impact of structural parameters (volume, shape, and the wall ...
This article is devoted to the method of aesthetic evaluation of the concert halls acoustics based o...
Some studies of concert hall acoustics consider the acoustics in a hall as a single entity. Here, it...
International audienceIn listening tests involving different loudspeakers and aimed at assessing the...
This article presents a listening experiment in which the listeners' task was to recognize the acous...
cote interne IRCAM: Kahle95bNone / NoneNational audienceAnalysing the results of subjective listenin...
Dynamics is one of the principal means of expressivity in Western classical music. Still, preceding ...
One of the main factors that makes listening to live concerts emotionally engaging is the dynamic ch...
The directivity of a loudspeaker characterises how it radiates sound into the space around it. Louds...
The acoustics of a concert hall is often described with the help of ISO3382-1:2009 parameters. Howev...
Authenticity of the simulation of room acoustics is evaluated by comparing auralizations with real r...
In concert halls, the spectrum of direct sound (here 0 to 15 ms) is influenced by the seat-dip effec...
International audienceThe aim of the presented research is to determine whether the perception of re...
The purpose of the study was to compare auditory judgments of sound clarity of music examples record...
An audience's auditory experience during a thrilling and emotive live symphony concert is an intertw...
This study attempts to investigate the impact of structural parameters (volume, shape, and the wall ...
This article is devoted to the method of aesthetic evaluation of the concert halls acoustics based o...
Some studies of concert hall acoustics consider the acoustics in a hall as a single entity. Here, it...
International audienceIn listening tests involving different loudspeakers and aimed at assessing the...
This article presents a listening experiment in which the listeners' task was to recognize the acous...
cote interne IRCAM: Kahle95bNone / NoneNational audienceAnalysing the results of subjective listenin...
Dynamics is one of the principal means of expressivity in Western classical music. Still, preceding ...
One of the main factors that makes listening to live concerts emotionally engaging is the dynamic ch...
The directivity of a loudspeaker characterises how it radiates sound into the space around it. Louds...
The acoustics of a concert hall is often described with the help of ISO3382-1:2009 parameters. Howev...
Authenticity of the simulation of room acoustics is evaluated by comparing auralizations with real r...
In concert halls, the spectrum of direct sound (here 0 to 15 ms) is influenced by the seat-dip effec...
International audienceThe aim of the presented research is to determine whether the perception of re...
The purpose of the study was to compare auditory judgments of sound clarity of music examples record...
An audience's auditory experience during a thrilling and emotive live symphony concert is an intertw...
This study attempts to investigate the impact of structural parameters (volume, shape, and the wall ...
This article is devoted to the method of aesthetic evaluation of the concert halls acoustics based o...