This book brings together rich and sometimes surprising contexts for Eliot’s writing about music including the legacy of Romanticism, the importance of music in scientific theory, and the ambivalent status of women’s involvement with music. It shows how Eliot’s use of musical allusion is intensely informed by her engagement with the culture of her time. A focus on music also offers a fresh view of the experimental writing through which Eliot took the realist novel into unfamiliar regions where scientific materialism and the Romantic uncanny meet
At a time when opera, like many musical genres, drew inspiration from the internalised, non-dramatic...
Mark the Music responds to Bakhtin’s invitation to look to one language through the eyes (and ears) ...
In “The Critic as Artist”, Wilde makes a clear interdisciplinary claim: “what is true about music is...
Victorian literature is richly connected with musical culture. Scholars investigating music and Vict...
This is a fascinating investigation of the influence of music on George Eliot, and how that influenc...
This study extends the critical discussion on nineteenth-century aesthetics to include music, a rare...
In his lecture “The Music of Poetry” (1942), T.S. Eliot said, “I think that a poet may gain much fro...
This thesis describes primarily the influence of music on the works of T.S. Eliot and James Joyce. T...
Delia da Sousa Correa takes as starting point \u27the yearning for spiritual expansion and sympathet...
This article centres on George Eliot’s allusions to music by two long-dead composers, George Frideri...
In the following thesis the author has attempted to show the importance of music to George Eliot per...
George Eliot and the Gothic Novel is the first monograph systematically to explore the relationship ...
Just as the preoccupations of any given cultural moment make their way into the language of music, t...
SIGLEAvailable from British Library Document Supply Centre- DSC:D179147 / BLDSC - British Library Do...
This article analyses music in A Room with A View and Howards End to explore the presence of recedin...
At a time when opera, like many musical genres, drew inspiration from the internalised, non-dramatic...
Mark the Music responds to Bakhtin’s invitation to look to one language through the eyes (and ears) ...
In “The Critic as Artist”, Wilde makes a clear interdisciplinary claim: “what is true about music is...
Victorian literature is richly connected with musical culture. Scholars investigating music and Vict...
This is a fascinating investigation of the influence of music on George Eliot, and how that influenc...
This study extends the critical discussion on nineteenth-century aesthetics to include music, a rare...
In his lecture “The Music of Poetry” (1942), T.S. Eliot said, “I think that a poet may gain much fro...
This thesis describes primarily the influence of music on the works of T.S. Eliot and James Joyce. T...
Delia da Sousa Correa takes as starting point \u27the yearning for spiritual expansion and sympathet...
This article centres on George Eliot’s allusions to music by two long-dead composers, George Frideri...
In the following thesis the author has attempted to show the importance of music to George Eliot per...
George Eliot and the Gothic Novel is the first monograph systematically to explore the relationship ...
Just as the preoccupations of any given cultural moment make their way into the language of music, t...
SIGLEAvailable from British Library Document Supply Centre- DSC:D179147 / BLDSC - British Library Do...
This article analyses music in A Room with A View and Howards End to explore the presence of recedin...
At a time when opera, like many musical genres, drew inspiration from the internalised, non-dramatic...
Mark the Music responds to Bakhtin’s invitation to look to one language through the eyes (and ears) ...
In “The Critic as Artist”, Wilde makes a clear interdisciplinary claim: “what is true about music is...