In any discussion of important Indian artists of the twentieth century, Woody Crumbo (1912-1989) is a pivotal player. His dynamic figures, brilliant colors, and traditional themes were combined to create a new kind of art. He used traditional art forms and themes from his Potawatomi background as well as themes and incidents from other tribal traditions to inspire his work. Not satisfied with just creating art, Crumbo mentored other artists, and for much of his life he was personally involved in the business of art-creating new opportunities for himself and other Indian artists
Review of: Art of the Red Earth People: The Mesquakie of Iowa. Torrence, Gaylord and Hobbs, Robert
Although biographies have long been a staple in Plains Indian ethnology, this profile of an Arapaho ...
This selection of Edward Curtis photographs is accompanied by three scholarly discussions of various...
In any discussion of important Indian artists of the twentieth century, Woody Crumbo (1912-1989) is ...
The current popularity, eminence, and international appreciation of the creativity of American India...
Arguing that Native artists developed a unique modernism between 1940 and 1960 as a response to cros...
The public appetite for American Indian crafts and artistic motifs can be traced back to the early p...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
The Minneapolis Institute of Art opened an exhibit in the fall of 1992 titled Visions of the People:...
One of the attractions of American Indian art is that it offers something of interest to practically...
Elizabeth Hutchinson\u27s The Indian Craze examines the trend that was not merely fad or fancy but...
D\u27Arcy McNickle occupies a position of relatively minor but increasing stature in American Indian...
Henry W. Hamilton and Jean Tyree Hamilton\u27s Remington Schuyler\u27s West establishes their friend...
This classic volume on the image of the Indian in the American mind first appeared in 1953. Although...
Review of: Art of the Red Earth People: The Mesquakie of Iowa. Torrence, Gaylord and Hobbs, Robert
Although biographies have long been a staple in Plains Indian ethnology, this profile of an Arapaho ...
This selection of Edward Curtis photographs is accompanied by three scholarly discussions of various...
In any discussion of important Indian artists of the twentieth century, Woody Crumbo (1912-1989) is ...
The current popularity, eminence, and international appreciation of the creativity of American India...
Arguing that Native artists developed a unique modernism between 1940 and 1960 as a response to cros...
The public appetite for American Indian crafts and artistic motifs can be traced back to the early p...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
The Minneapolis Institute of Art opened an exhibit in the fall of 1992 titled Visions of the People:...
One of the attractions of American Indian art is that it offers something of interest to practically...
Elizabeth Hutchinson\u27s The Indian Craze examines the trend that was not merely fad or fancy but...
D\u27Arcy McNickle occupies a position of relatively minor but increasing stature in American Indian...
Henry W. Hamilton and Jean Tyree Hamilton\u27s Remington Schuyler\u27s West establishes their friend...
This classic volume on the image of the Indian in the American mind first appeared in 1953. Although...
Review of: Art of the Red Earth People: The Mesquakie of Iowa. Torrence, Gaylord and Hobbs, Robert
Although biographies have long been a staple in Plains Indian ethnology, this profile of an Arapaho ...
This selection of Edward Curtis photographs is accompanied by three scholarly discussions of various...