The physician, natural philosopher, and linguist Thomas Young in 1800 provided a table of tempi gauged by a pendulum. Calibrated against Quantz’s pulse-based system (1752), Young’s observations quantitatively corroborate the generally faster contemporary tempi, while also indicating cases in which they should be moderated. His statement about the relative order of very slow and fast tempo markings contradict several contemporary English sources; as a natural philosopher, he brought special skill in observation to these controversies
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras
After discussing the role of technology in achieving modern performance standards, this article exam...
RILM abstract: Crotch\u27s pendulum markings are an important source of information on English temp...
Thomas Young published in 1808 his famous paper (1) in which he derived the pressure wave speed in a...
Thomas Young published in 1808 his famous paper (1) in which he derived the pressure wave speed in a...
Thomas Young published in 1808 his famous paper (1) in which he derived the pressure wave speed in a...
Objective measures of musical tempo are linked to a particular metrical pulse, and this is most like...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
In PART A an attempt was made to outline the total Background to performing tempi. The possible rele...
A reference book for the musician’s practical work of interpretation, this volume, after a general p...
Article original en langue anglaise, traduit par l'auteur, publié dans le Journal of the Liszt Ameri...
Modern time signatures indicate metrical organization in notated music. However, in most American hy...
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras
After discussing the role of technology in achieving modern performance standards, this article exam...
RILM abstract: Crotch\u27s pendulum markings are an important source of information on English temp...
Thomas Young published in 1808 his famous paper (1) in which he derived the pressure wave speed in a...
Thomas Young published in 1808 his famous paper (1) in which he derived the pressure wave speed in a...
Thomas Young published in 1808 his famous paper (1) in which he derived the pressure wave speed in a...
Objective measures of musical tempo are linked to a particular metrical pulse, and this is most like...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
In PART A an attempt was made to outline the total Background to performing tempi. The possible rele...
A reference book for the musician’s practical work of interpretation, this volume, after a general p...
Article original en langue anglaise, traduit par l'auteur, publié dans le Journal of the Liszt Ameri...
Modern time signatures indicate metrical organization in notated music. However, in most American hy...
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras