Add to ORKGRILM abstract: Crotch\u27s pendulum markings are an important source of information on English tempos at the end of the 18th c. and represent an ongoing practice among late 18th-c. English composers. Statistical study of English glees with pendulum markings from this period promises to yield valuable results
Building upon the theories of rhythm and meter of Kramer, Lerdahl and Jackendoff, Rothstein, and Sch...
This article investigates the extent of production and perception of dynamic differences on a French...
The physician, natural philosopher, and linguist Thomas Young in 1800 provided a table of tempi gaug...
After discussing the role of technology in achieving modern performance standards, this article exam...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
Modern time signatures indicate metrical organization in notated music. However, in most American hy...
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
Article original en langue anglaise, traduit par l'auteur, publié dans le Journal of the Liszt Ameri...
Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the f...
The symbols used in the notation of seventeenth- and eighteenth-century music are tantalizingly simi...
Before the advent of the metronome (which was used to accurately gauge the speed of a composition) a...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras
Much of the collaborative study of John Harrison’s unique pendulum clock system that informs many of...
Building upon the theories of rhythm and meter of Kramer, Lerdahl and Jackendoff, Rothstein, and Sch...
This article investigates the extent of production and perception of dynamic differences on a French...
The physician, natural philosopher, and linguist Thomas Young in 1800 provided a table of tempi gaug...
After discussing the role of technology in achieving modern performance standards, this article exam...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
Modern time signatures indicate metrical organization in notated music. However, in most American hy...
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
Article original en langue anglaise, traduit par l'auteur, publié dans le Journal of the Liszt Ameri...
Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the f...
The symbols used in the notation of seventeenth- and eighteenth-century music are tantalizingly simi...
Before the advent of the metronome (which was used to accurately gauge the speed of a composition) a...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras
Much of the collaborative study of John Harrison’s unique pendulum clock system that informs many of...
Building upon the theories of rhythm and meter of Kramer, Lerdahl and Jackendoff, Rothstein, and Sch...
This article investigates the extent of production and perception of dynamic differences on a French...
The physician, natural philosopher, and linguist Thomas Young in 1800 provided a table of tempi gaug...
