With Didon, Piccinni demonstrated his ability to combine both Italian and French styles to create a compelling tragédie lyrique. The opera includes lyrical Italian melodies and a second-act finale, as well as French choruses and numbers that transition continuously without pauses. Didon was premiered at Fountainebleau on 16 October 1783, and it remained one of Piccinni’s most popular French operas, with performances through the first part of the nineteenth century. The story of Dido had been realized on the operatic stage before Piccinni’s setting, including Cavalli’s Didone (1641), Purcell’s Dido and Aeneas (c. 1689), and Vinci’s Didone abbandonata (1726) with a libretto by Metastasio
Introduction The Aeneid is a text which elicits many questions from the reader. One of the fascinati...
The programme was scanned from an original held in the University Archives.The Opera "Dido and Aenea...
This thesis is a commented critical edition of Alessandro Pazzi de’ Medici’s Dido in Cartagine (1524...
The aim of this paper is to analyze the reception of the myth of Dido and Creusa in the Didone, Oper...
Didone abbandonata was Metastasio\u2019s first drama for music. It was performed in Naples in 1724 a...
25 p. : il. -- Bibliogr.: p. 23-24The Aeneid by Virgil has been admired and continually imitated alo...
Moureau François. Niccolo Piccinni : Atys, tragédie lyrique. Introduction by Julian Rushton. Coll. «...
Didone was the second significant operatic project carried out by the librettist Busenello and the c...
René Martin : Dido and .Eneas on stage or how to use leftovers. The last French tragedies inspired ...
Haury A. Richard C. Monti, The Dido Episode and the Aeneid. Roman Social and Political Values in the...
Dido’s Lament is a narrative account of how the opera Dido and Aeneas was created. It is set in Rest...
In the Aeneid, the recurrent themes of ‘construction’ and ‘destruction’ can be connected to generic ...
Henry Purcell’s Dido and Aeneas, is a timeless story of love and tragedy. Presented with full orch...
Presented with the task of creating an opera, composer and librettist decide to adapt that part of V...
This representation of Purcell’s Dido and Aeneas was driven by two major factors. The first factor w...
Introduction The Aeneid is a text which elicits many questions from the reader. One of the fascinati...
The programme was scanned from an original held in the University Archives.The Opera "Dido and Aenea...
This thesis is a commented critical edition of Alessandro Pazzi de’ Medici’s Dido in Cartagine (1524...
The aim of this paper is to analyze the reception of the myth of Dido and Creusa in the Didone, Oper...
Didone abbandonata was Metastasio\u2019s first drama for music. It was performed in Naples in 1724 a...
25 p. : il. -- Bibliogr.: p. 23-24The Aeneid by Virgil has been admired and continually imitated alo...
Moureau François. Niccolo Piccinni : Atys, tragédie lyrique. Introduction by Julian Rushton. Coll. «...
Didone was the second significant operatic project carried out by the librettist Busenello and the c...
René Martin : Dido and .Eneas on stage or how to use leftovers. The last French tragedies inspired ...
Haury A. Richard C. Monti, The Dido Episode and the Aeneid. Roman Social and Political Values in the...
Dido’s Lament is a narrative account of how the opera Dido and Aeneas was created. It is set in Rest...
In the Aeneid, the recurrent themes of ‘construction’ and ‘destruction’ can be connected to generic ...
Henry Purcell’s Dido and Aeneas, is a timeless story of love and tragedy. Presented with full orch...
Presented with the task of creating an opera, composer and librettist decide to adapt that part of V...
This representation of Purcell’s Dido and Aeneas was driven by two major factors. The first factor w...
Introduction The Aeneid is a text which elicits many questions from the reader. One of the fascinati...
The programme was scanned from an original held in the University Archives.The Opera "Dido and Aenea...
This thesis is a commented critical edition of Alessandro Pazzi de’ Medici’s Dido in Cartagine (1524...