Didone abbandonata was Metastasio\u2019s first drama for music. It was performed in Naples in 1724 and subsequently replicated and modified for the most famous Italian theaters. The work\u2019s huge success and the many productions of it in theaters across Europe made it a canonical encounter for many musicians down to the first half of the nineteenth century, albeit with cuts and variations due to changes in the tastes of the opera-going public. This complex and twofold editorial and theatrical adventure is reconstructed in the volume that offers today\u2019s readers the first version of the libretto, rich in dramaturgical and spectacular potential, which was scaled down, though only in part, in subsequent versions
This volume covers the last decade (1760-1771) of Metastasio and Hasse\u2019s production, consisting...
Vengono esaminate tre diverse versioni della Didone abbandonata di Domenico Sarro fra le quali, per ...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...
Didone abbandonata was Metastasio’s first drama for music. It was performed in Naples in 1724 and su...
"Didone abbandonata" was Metastasio's first drama for music. It was performed in Naples in 1724 and ...
Didone abbandonata was Metastasio’s first drama for music. It was performed in Naples in 1724 and su...
The study reconstructs the fortune of Dido abandoned by Pietro Metastasio from the first two decades...
It is impossible to understand eighteenth-century opera without considering the work and legacy of P...
Didone was the second significant operatic project carried out by the librettist Busenello and the c...
En port.: Da rappresentarsi nel regio teatro del Buon-Ritiro festeggiandosi il gloriosissimo giorno ...
The operas of Johann Adolf Hasse, and the type of poetic drama created by Metastasio and copied by ...
The libretti by the Viennese court poet Pietro Metastasio dominated the Continental and London music...
The Italian Serenata is a genre tied more than most to locality and occasion. One of the most attrac...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...
Two leading German composers, both known in Italy as “Sassoni”, provided, in 1728 and 1733, the fine...
This volume covers the last decade (1760-1771) of Metastasio and Hasse\u2019s production, consisting...
Vengono esaminate tre diverse versioni della Didone abbandonata di Domenico Sarro fra le quali, per ...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...
Didone abbandonata was Metastasio’s first drama for music. It was performed in Naples in 1724 and su...
"Didone abbandonata" was Metastasio's first drama for music. It was performed in Naples in 1724 and ...
Didone abbandonata was Metastasio’s first drama for music. It was performed in Naples in 1724 and su...
The study reconstructs the fortune of Dido abandoned by Pietro Metastasio from the first two decades...
It is impossible to understand eighteenth-century opera without considering the work and legacy of P...
Didone was the second significant operatic project carried out by the librettist Busenello and the c...
En port.: Da rappresentarsi nel regio teatro del Buon-Ritiro festeggiandosi il gloriosissimo giorno ...
The operas of Johann Adolf Hasse, and the type of poetic drama created by Metastasio and copied by ...
The libretti by the Viennese court poet Pietro Metastasio dominated the Continental and London music...
The Italian Serenata is a genre tied more than most to locality and occasion. One of the most attrac...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...
Two leading German composers, both known in Italy as “Sassoni”, provided, in 1728 and 1733, the fine...
This volume covers the last decade (1760-1771) of Metastasio and Hasse\u2019s production, consisting...
Vengono esaminate tre diverse versioni della Didone abbandonata di Domenico Sarro fra le quali, per ...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...