When The Velvet Underground & Nico was released in March of 1967, it was to a public that hardly cared and a critical establishment that could not make heads or tails of it. Its sales were dismal, due in part to legal troubles, and MGM's bungled attempts at promoting the record. The Velvet Underground's seedy, druggy music defiantly reflected an urban attitude even closer to the beatniks than Bob Dylan and even more devoted to rock n' roll primitivism than The Rolling Stones or The Who. Nevertheless, the recording had no place in a landscape soon to be dominated by San Francisco psychedelics and high-concept British pop
Townes Van Zandt was a founding member of the modern Texas singer-songwriter tradition and influence...
This paper discusses The Beatles’ Sgt Pepper’s Lonely Hearts Club Band (1967) album in relation to R...
This article explores Warhol and Nico’s relationship with Europe through their formative years and s...
In this article, the emphasis is put on the cultural and social significance centred around the prod...
This essay appears in an edited collection that surveys the careers of the members of the Velvet Und...
The 1960s rock counterculture is typically seen by journalists and fans in terms of overly simplisti...
Feature review of the book: Matthew Bannister (1999) Positively George Street: A personal history of...
Book review of Nightfly. The Life of Steely Dan's Donald Fagen, Peter Jones (366pp, £26.99, hardback...
A book review of The Art of Darkness. The History of Goth, John Robb (512pp, £25, Louder Than War
This article appears in a Special Issue of Studies in Music from the University of Western Ontario: ...
This book examines the birth of punk in the UK and its transformation, within a short period of time...
Sarah Etlinger published an article on Sgt Pepper's cover art in Volume!, cf. http://volume.revues.o...
A book review of Exit Stage Left: the Curious Afterlife of Pop Stars, Nick Duerden (374pp, £20, Head...
The success and longevity of Neil Young’s forty-year recording career rests largely on his musical e...
Book review of No Machos Or Pop Stars. When the Leeds Art Experiment Went Punk, Gavin Butt (290pp, D...
Townes Van Zandt was a founding member of the modern Texas singer-songwriter tradition and influence...
This paper discusses The Beatles’ Sgt Pepper’s Lonely Hearts Club Band (1967) album in relation to R...
This article explores Warhol and Nico’s relationship with Europe through their formative years and s...
In this article, the emphasis is put on the cultural and social significance centred around the prod...
This essay appears in an edited collection that surveys the careers of the members of the Velvet Und...
The 1960s rock counterculture is typically seen by journalists and fans in terms of overly simplisti...
Feature review of the book: Matthew Bannister (1999) Positively George Street: A personal history of...
Book review of Nightfly. The Life of Steely Dan's Donald Fagen, Peter Jones (366pp, £26.99, hardback...
A book review of The Art of Darkness. The History of Goth, John Robb (512pp, £25, Louder Than War
This article appears in a Special Issue of Studies in Music from the University of Western Ontario: ...
This book examines the birth of punk in the UK and its transformation, within a short period of time...
Sarah Etlinger published an article on Sgt Pepper's cover art in Volume!, cf. http://volume.revues.o...
A book review of Exit Stage Left: the Curious Afterlife of Pop Stars, Nick Duerden (374pp, £20, Head...
The success and longevity of Neil Young’s forty-year recording career rests largely on his musical e...
Book review of No Machos Or Pop Stars. When the Leeds Art Experiment Went Punk, Gavin Butt (290pp, D...
Townes Van Zandt was a founding member of the modern Texas singer-songwriter tradition and influence...
This paper discusses The Beatles’ Sgt Pepper’s Lonely Hearts Club Band (1967) album in relation to R...
This article explores Warhol and Nico’s relationship with Europe through their formative years and s...