This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Alex Hensby thinks this is a fine piece of work; a book that is driven by the author’s palpable knowledge and enthusiasm for the subject
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Protest: A Cultural Introduction to Social Movements shows why we can’t understand our world at all ...
Feature review of the book: Matthew Bannister (1999) Positively George Street: A personal history of...
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Rancid, Iron Prostate, Vibrators, Chumbawamba, 4-Skins, Flesh Eaters, Devil Dogs are just some of th...
Book chapter in Russ Bestley, Mike Dines, Alastair Gordon & Paula Guerra (eds.), Trans-Global Punk S...
Design of book: Mike Dines, Alastair Gordon and Paula Guerra (eds.): The Punk Reader: Research Trans...
a review of David Bowie, Enid Blyton and the Sun Machine, Nicholas Royle (Manchester University Pres...
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Book review of No Machos Or Pop Stars. When the Leeds Art Experiment Went Punk, Gavin Butt (290pp, D...
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This article uses fanzines produced from the UK in 1976–77 to explore how punk’s politics, productio...
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Click on the URL to access the article (may not be free).The editors of this slender volume on “cult...
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