[[alternative]]Writing Desire in Guo-Zhen Zhu's Novels

[[abstract]] 本文以「朱國珍小說中的慾望書寫」為題，用以探討朱國珍小說中的慾望，有關慾望的相關題材貫徹於朱國珍的各部作品之中，諸如《夜夜要喝長島冰茶的女人》、《慾望道場》、《古正義的糖》等著作，皆有篇章將人性慾望置入其中，以此反應社會現實以及事態荒謬，然小說中的慾望僅為文本之表層，其內部深藏蘊含之書寫手法與技巧，才為慾望構建之本質，本文以此為始，試圖探討朱國珍小說中慾望的書寫方式，並深度剖析作者於文本之中的認同與意識形態。 本論文共計分為五章，首章為「緒論」，用以探討研究動機、前人研究，並深論章節安排及意義。 第二章為「敘事修辭」，此章由修辭作為考察對象，探討朱國珍小說中，使用何種修辭技巧構建出慾望，並且慾望透過何種方式，表現於文本之中，然此修辭技巧與傳統研究之修辭有所不同，論者以符號學之考察方式，深度挖掘朱國珍小說中敘事修辭的使用，以此分析慾望之深度意義。 第三章為「情節安排」，本章以胡亞敏之《敘事學》作為理論依據，以此探討敘事視角、敘事時間、序列，將上述三者作為分析工具，可以理解文本觀看慾望的方式、構建慾望事件的時間，以及文本中不變之敘事流程，經歷以上分析，可以釐清朱國珍小說中透過敘事構建慾望的方法。 第四章為「敘事意識」，此章使用高德曼(Lucien Goldmann)發生論結構主義作為論述主軸，以此清晰小說中意識形態的對立關係，並且透過隱含作者的價值判斷，得出朱國珍小說當中對於慾望的最終看法。 末章為「結論」，用以將上述篇章之論述，做出統一之總結。[[abstract]] This article is titled “Desire Writing in Zhu Guozhen's Novels” to explore the desire in Zhu Guozhen's novels. Desire Dojo” and “Ancient Justice's Sugar” and other works, all have chapters that put human desires into them, so as to reflect the social reality and the absurdity of the situation, but the desire in the novel is only the surface of the text, and the writing is deeply hidden inside. Techniques and techniques are the essence of desire construction. This article begins with this, trying to explore the writing style of desire in Zhu Guozhen's novels, and deeply analyze the author's identity and ideology in the text. This thesis is divided into five chapters in total. The first chapter is “Introduction”, which is used to discuss the research motivation, previous research, and discuss the chapter arrangement and significance in depth. The second chapter is “narrative rhetoric”. This chapter takes rhetoric as the research object, and discusses what kind of rhetorical techniques Zhu Guozhen uses to construct desires in his novels, and how desires are expressed in the text. However, this rhetorical technique and tradition The rhetoric of the research is different. The theorist uses the method of semiotics to dig deep into the use of narrative rhetoric in Zhu Guozhen's novels, so as to analyze the deep meaning of desire. The third chapter is “Plot Arrangement”. This chapter takes Hu Yamin's “Narratology” as a theoretical basis to discuss narrative perspective, narrative time, and sequence. Using the above three as analytical tools, we can understand the way and construction of text viewing desires. The time of desire events and the unchanging narrative process in the text, after the above analysis, can clarify the method of constructing desire through narrative in Zhu Guozhen's novels. The fourth chapter is “Narrative Consciousness”. This chapter uses Lucien Goldmann's genetic structuralism as the main axis of discussion, so as to clarify the ideological opposition in the novel, and through the implied author's value judgment, Zhu Guozhen The final view on desire in the novel. The last chapter is “Conclusion”, which is used to make a unified summary of the discussion of the above chapters