Add to ORKGEight arrangements of secular compositions for liturgical use created by Carl Franz Rafael are preserved in the music archives of the Parish Church of St George in Ptuj. This article discusses these arrangements within the broader context of the practice of contrafacta.V glasbenem arhivu proštijske cerkve sv. Jurija na Ptuju se je izpod peresa Carla Franza Rafaela ohranilo osem predelav posvetnih skladb za liturgično rabo. V prispevku so Rafaelove predelave predstavljene v povezavi s kontrafakturno prakso
An early-seventeenth-century choirbook originating from Graz surviving in Ljubljana (SI-Lnr, MS 343)...
In the centre of interest of Nikola Buble\u27s article, Supplement of getting to know the culture of...
Gradivo koje ovdje objavljujemo (1701-1763) odnosi se na vrijeme do prestanka nadležnosti te Kongreg...
The article describes the process of organizing and cataloguing the collection of early music manusc...
The article focuses on how the Cecilian ideal of contemporary polyphonic church music was received i...
Giuseppe Gazzaniga’s La vendemmia (1778) has survived in at least seven complete original scores fro...
During 17th and 18th centuries church composers replaced the former organic development of mass musi...
The paper is an ethnographic outline of the activities of cantors and funeral singers in the Prekmur...
Ovaj se diplomski rad bavi divertimentima i serenadama za puhačke instrumente. Rad se može podijelit...
The article deals with the history of Max Reger’s reception in Slovenian music. Initially some perso...
Opatijsko-mestna župnija Celje hrani v svojem arhivu bogato zbirko glasbenih rokopisov, večina kater...
Baroque confraternities, like their forebears, were religious in nature and became a source for the ...
Članek se ukvarja z odprto obliko in na podlagi pregleda reprezentativnih del skuša izluščiti njene ...
From the beginning of organ-building in the fifteenth century up to the second half of the nineteent...
The interpretation and performance of early music are closely related to the research of historical ...
An early-seventeenth-century choirbook originating from Graz surviving in Ljubljana (SI-Lnr, MS 343)...
In the centre of interest of Nikola Buble\u27s article, Supplement of getting to know the culture of...
Gradivo koje ovdje objavljujemo (1701-1763) odnosi se na vrijeme do prestanka nadležnosti te Kongreg...
The article describes the process of organizing and cataloguing the collection of early music manusc...
The article focuses on how the Cecilian ideal of contemporary polyphonic church music was received i...
Giuseppe Gazzaniga’s La vendemmia (1778) has survived in at least seven complete original scores fro...
During 17th and 18th centuries church composers replaced the former organic development of mass musi...
The paper is an ethnographic outline of the activities of cantors and funeral singers in the Prekmur...
Ovaj se diplomski rad bavi divertimentima i serenadama za puhačke instrumente. Rad se može podijelit...
The article deals with the history of Max Reger’s reception in Slovenian music. Initially some perso...
Opatijsko-mestna župnija Celje hrani v svojem arhivu bogato zbirko glasbenih rokopisov, večina kater...
Baroque confraternities, like their forebears, were religious in nature and became a source for the ...
Članek se ukvarja z odprto obliko in na podlagi pregleda reprezentativnih del skuša izluščiti njene ...
From the beginning of organ-building in the fifteenth century up to the second half of the nineteent...
The interpretation and performance of early music are closely related to the research of historical ...
An early-seventeenth-century choirbook originating from Graz surviving in Ljubljana (SI-Lnr, MS 343)...
In the centre of interest of Nikola Buble\u27s article, Supplement of getting to know the culture of...
Gradivo koje ovdje objavljujemo (1701-1763) odnosi se na vrijeme do prestanka nadležnosti te Kongreg...