Add to ORKGThe article focuses on how the Cecilian ideal of contemporary polyphonic church music was received in Slovenia. Its characteristics are briefly presented, and its implementation in the works of the leading Slovenian musical authority within this movement, Anton Foerster (1837–1926), is discussed.Članek obravnava, kako je bil cecilijanski slogovni ideal večglasne cerkvene glasbe sprejet na Slovenskem. Kratko predstavi njegove značilnosti in kot vzorčni primer opazuje njegovo uveljavitev v ustvarjalnosti osrednje glasbeniške avtoritete slovenske veje tega gibanja, Antona Foersterja (1837–1926)
V članku je obravnavan sprejem neofolk glasbe v Sloveniji, posebej neo- in turbofolk glasbe, ki je v...
Slovenska ljudska glasba ima mdr. tudi značilnosti alpskega kulturnega prostora, vendar je jodlanje,...
The author attempts to reconstruct the repertoire of the Ljubljana cathedral choir, which is very im...
Eight arrangements of secular compositions for liturgical use created by Carl Franz Rafael are prese...
The article describes the process of organizing and cataloguing the collection of early music manusc...
From the beginning of organ-building in the fifteenth century up to the second half of the nineteent...
The article deals with the history of Max Reger’s reception in Slovenian music. Initially some perso...
The register of banns of the cathedral parish of Ljubljana (1737–1759) is linguistically unique for ...
V prispevku skuša avtorica ugotoviti, kako so se oblikovali pogledi predhodnikov in oblikovalcev ozi...
Analyses of selected works are used to re-examine the stylistic orientation of Slovenian music betwe...
Članek se ukvarja z odprto obliko in na podlagi pregleda reprezentativnih del skuša izluščiti njene ...
This article describes various construction types of Slovak and Slovenian phrasemes whose component ...
Karol Pahor (1896–1974) se je kot skladatelj proslavil na več ravneh in je prepoznan je kot eden naj...
The paper is an ethnographic outline of the activities of cantors and funeral singers in the Prekmur...
The article discusses the furnishings of the parish church of Saints Cyril and Methodius in Ljubljan...
V članku je obravnavan sprejem neofolk glasbe v Sloveniji, posebej neo- in turbofolk glasbe, ki je v...
Slovenska ljudska glasba ima mdr. tudi značilnosti alpskega kulturnega prostora, vendar je jodlanje,...
The author attempts to reconstruct the repertoire of the Ljubljana cathedral choir, which is very im...
Eight arrangements of secular compositions for liturgical use created by Carl Franz Rafael are prese...
The article describes the process of organizing and cataloguing the collection of early music manusc...
From the beginning of organ-building in the fifteenth century up to the second half of the nineteent...
The article deals with the history of Max Reger’s reception in Slovenian music. Initially some perso...
The register of banns of the cathedral parish of Ljubljana (1737–1759) is linguistically unique for ...
V prispevku skuša avtorica ugotoviti, kako so se oblikovali pogledi predhodnikov in oblikovalcev ozi...
Analyses of selected works are used to re-examine the stylistic orientation of Slovenian music betwe...
Članek se ukvarja z odprto obliko in na podlagi pregleda reprezentativnih del skuša izluščiti njene ...
This article describes various construction types of Slovak and Slovenian phrasemes whose component ...
Karol Pahor (1896–1974) se je kot skladatelj proslavil na več ravneh in je prepoznan je kot eden naj...
The paper is an ethnographic outline of the activities of cantors and funeral singers in the Prekmur...
The article discusses the furnishings of the parish church of Saints Cyril and Methodius in Ljubljan...
V članku je obravnavan sprejem neofolk glasbe v Sloveniji, posebej neo- in turbofolk glasbe, ki je v...
Slovenska ljudska glasba ima mdr. tudi značilnosti alpskega kulturnega prostora, vendar je jodlanje,...
The author attempts to reconstruct the repertoire of the Ljubljana cathedral choir, which is very im...