Comics exist in time, not only as historical objects, but also through their reading, and it is the combination of these two aspects that this article addresses. I will start by analyzing a temporal paradox: reading comics seems to be timeless (fast, instantaneous, superficial: hardly “reading” in the noble sense of the word), yet at the same time it never stops (neither at an individual nor at a collective level). This paradox is something that can be framed in “cultural” terms, having to do with the fundamental problem (both a threat and an opportunity) of cultural memory and the possible conflict between transgenerational reading, transmission techniques, and shifting aesthetic categories
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
Conceptualizing and understanding memory in comics inevitably opens up a can of worms, not only beca...
My research approaches the comics form as a literary medium capable of producing a unique visual and...
Comics exist in time, not only as historical objects, but also through their reading, and it is the ...
Alan Moore and Kevin O’Neill’s League of Extraordinary Gentlemen: Century (1999-2012) is a neo-Victo...
Digital comics are a medium distinct from print comics, just as electronic literature is a medium di...
Goodbrey D.M., ‘Distortions in Spacetime: Emergent Narrative Practices in Comics’ Transition from Pr...
Sequential images exist not only in order as the eye transitions the page, but also at the same time...
This article argues that the comic book form is anything but static. The panels that litter its page...
Unnatural narratology has recently focused our attention on unnatural representations of time. It is...
Formal criticism of comics has often focused on the importance of sequence and the filling of gutter...
This dissertation discusses the changing nature of comics and comic books in a digital age. Its foc...
The development of comics studies in the United States has been linked to the institutionalization o...
At a turning point of its institutionalization and in a fast-changing media environment, the graphic...
What is a comic? The simple answer states that a comic is a drawn story that is picture- rather than...
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
Conceptualizing and understanding memory in comics inevitably opens up a can of worms, not only beca...
My research approaches the comics form as a literary medium capable of producing a unique visual and...
Comics exist in time, not only as historical objects, but also through their reading, and it is the ...
Alan Moore and Kevin O’Neill’s League of Extraordinary Gentlemen: Century (1999-2012) is a neo-Victo...
Digital comics are a medium distinct from print comics, just as electronic literature is a medium di...
Goodbrey D.M., ‘Distortions in Spacetime: Emergent Narrative Practices in Comics’ Transition from Pr...
Sequential images exist not only in order as the eye transitions the page, but also at the same time...
This article argues that the comic book form is anything but static. The panels that litter its page...
Unnatural narratology has recently focused our attention on unnatural representations of time. It is...
Formal criticism of comics has often focused on the importance of sequence and the filling of gutter...
This dissertation discusses the changing nature of comics and comic books in a digital age. Its foc...
The development of comics studies in the United States has been linked to the institutionalization o...
At a turning point of its institutionalization and in a fast-changing media environment, the graphic...
What is a comic? The simple answer states that a comic is a drawn story that is picture- rather than...
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
Conceptualizing and understanding memory in comics inevitably opens up a can of worms, not only beca...
My research approaches the comics form as a literary medium capable of producing a unique visual and...