Add to ORKGPresents the development of crime fiction in French cultures from the mid-nineteenth century onwards and explores the distinctive features of a French-language tradition
In this article, modern Crime Fiction is shown to have its origins in translation, and more specific...
Rewriting Wrongs: French Crime Fiction and the Palimpsest (Angela Kimyongür et Amy Wigelsworth, éd...
Crime fiction first started to gain widespread popularity in the 18th century, a popularity which dr...
Presents the development of crime fiction in French cultures from the mid-nineteenth century onwards...
This book has its origins in a conference held at the University of Newcastle in July 2007. The conf...
The Pleasures of Crime. Reading Modern French Crime Fiction. Platten, David Amsterdam/New York, NY, ...
For some reason I can't explain, I have had for many years a very keen interest in crime fiction, es...
It is estimated that some twenty per cent of all books sold in France are crime novels (Gorrara, 200...
Crime Fiction in German is the first volume in English to offer a comprehensive overview of German-l...
A discussion of some of the challenges that translators have to face when translating French crime n...
Crime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectiv...
Many crime fiction writers nowadays attempt to get noted through more “literary” works, which raises...
Much about detective fiction is uncertain. There are, for example, all the various genres and sub-ge...
This article examines intertextual, intercultural and intergeneric relationships in the francophone ...
De nos jours, les fictions policières sont considérées comme un défi stimulant à l'écriture de tout...
In this article, modern Crime Fiction is shown to have its origins in translation, and more specific...
Rewriting Wrongs: French Crime Fiction and the Palimpsest (Angela Kimyongür et Amy Wigelsworth, éd...
Crime fiction first started to gain widespread popularity in the 18th century, a popularity which dr...
Presents the development of crime fiction in French cultures from the mid-nineteenth century onwards...
This book has its origins in a conference held at the University of Newcastle in July 2007. The conf...
The Pleasures of Crime. Reading Modern French Crime Fiction. Platten, David Amsterdam/New York, NY, ...
For some reason I can't explain, I have had for many years a very keen interest in crime fiction, es...
It is estimated that some twenty per cent of all books sold in France are crime novels (Gorrara, 200...
Crime Fiction in German is the first volume in English to offer a comprehensive overview of German-l...
A discussion of some of the challenges that translators have to face when translating French crime n...
Crime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectiv...
Many crime fiction writers nowadays attempt to get noted through more “literary” works, which raises...
Much about detective fiction is uncertain. There are, for example, all the various genres and sub-ge...
This article examines intertextual, intercultural and intergeneric relationships in the francophone ...
De nos jours, les fictions policières sont considérées comme un défi stimulant à l'écriture de tout...
In this article, modern Crime Fiction is shown to have its origins in translation, and more specific...
Rewriting Wrongs: French Crime Fiction and the Palimpsest (Angela Kimyongür et Amy Wigelsworth, éd...
Crime fiction first started to gain widespread popularity in the 18th century, a popularity which dr...