shreds is a collaborative live coding performance by electronic music duo Pulso (Gerard Roma and Anna Xambó). In this performance, the duo will use a self-built live-coding environment in JavaScript that shows two code editors, one for each performer. The two performers will manipulate short sound samples in sync using a highly constrained live coding language. The language maps to different parameters of the sample player, resulting in generative industrial patterns.Performance pape
https://aimc2023.pubpub.org/pub/ppgwfht1 Lil Data, the experimental pop artist from the PC Music co...
The Netherlands Coding Live a.k.a. NL_CL is a ``pop-up'' phygital space for engaging with live codin...
Live coding performances provide a context with particular demands and limitations for music making....
shreds is a collaborative live coding performance by electronic music duo Pulso (Gerard Roma and Ann...
This paper introduces the collaborative live coding platform CodeBank, which utilises public and pri...
Jamming culture has become associated with digital manipulation and reuse of materials. As well, the...
Glicol is a computer music programming language that can run in web browsers for music live coding. ...
Hollow Vertices is an improvisatory audio-visual performance environment. The sonic components are c...
QuaverSeries consists of a domain-specific language and a single-page web application for collaborat...
Hession/McLean is a free improvising duo that confounds the usual classifications of musical genres....
We introduce a form of networked music performance where a performer plays amobile music instrument ...
Live coding performances provide a context with particular demands and limitations for music making....
The extramuros soware was developed to explore live coding and network music, bringing live coding m...
This paper explores the question of how live coding musicians can perform with musicians who are not...
This paper introduces Improcess, a novel cross-disciplinarycollaborative project focussed on the des...
https://aimc2023.pubpub.org/pub/ppgwfht1 Lil Data, the experimental pop artist from the PC Music co...
The Netherlands Coding Live a.k.a. NL_CL is a ``pop-up'' phygital space for engaging with live codin...
Live coding performances provide a context with particular demands and limitations for music making....
shreds is a collaborative live coding performance by electronic music duo Pulso (Gerard Roma and Ann...
This paper introduces the collaborative live coding platform CodeBank, which utilises public and pri...
Jamming culture has become associated with digital manipulation and reuse of materials. As well, the...
Glicol is a computer music programming language that can run in web browsers for music live coding. ...
Hollow Vertices is an improvisatory audio-visual performance environment. The sonic components are c...
QuaverSeries consists of a domain-specific language and a single-page web application for collaborat...
Hession/McLean is a free improvising duo that confounds the usual classifications of musical genres....
We introduce a form of networked music performance where a performer plays amobile music instrument ...
Live coding performances provide a context with particular demands and limitations for music making....
The extramuros soware was developed to explore live coding and network music, bringing live coding m...
This paper explores the question of how live coding musicians can perform with musicians who are not...
This paper introduces Improcess, a novel cross-disciplinarycollaborative project focussed on the des...
https://aimc2023.pubpub.org/pub/ppgwfht1 Lil Data, the experimental pop artist from the PC Music co...
The Netherlands Coding Live a.k.a. NL_CL is a ``pop-up'' phygital space for engaging with live codin...
Live coding performances provide a context with particular demands and limitations for music making....