Hollow Vertices is an improvisatory audio-visual performance environment. The sonic components are co-created through live coding in the real-time audio synthesis language, Supercollider. This results in the creation of dense percussive and ambient textures. The two sound sources are linked through a custom built network upon which each performer has control over the others’ code. This produces developmental elements in the composition. This is combined with an amplified clarinetist using a custom programmed pedal board in Max/MSP to drive live audio effects. The composition converges disciplines and mediums by augmenting sensorial modalities through human-computer interaction. This is realized through employing different programming langu...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
Gestural interaction in live coding performance is still in its infancy, albeit the long tradition i...
This paper proposes attributes of a living computer music, the product of a live algorithm. It illus...
This paper introduces Improcess, a novel cross-disciplinarycollaborative project focussed on the des...
In this paper the livecoding environment Mercury is introduced. An interpreted language that is desi...
In this keynote Thor Magnusson will discuss work in composition, performance and the development of ...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
The Biphase performance explores techniques to create audio-visual cohesion in real-time environment...
Sonic Cultures is an immersive realtime audiovisual compositional environment with interactive gener...
ApProgXimate Audio is a browser-based sound art experiment, a distributed and participatory piece wh...
This thesis is centered on the performance practice of musical live coding, which can be described a...
International audienceThis chapter discusses possible links between the fields of computer music and...
In live human-computer music-making, how can interfaces successfully support the openness, reinterpr...
Recent decades have seen the establishment of computer software live notations intended as music sco...
The MIMIC (Musically Intelligent Machines Interacting Creatively) project explores how the technique...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
Gestural interaction in live coding performance is still in its infancy, albeit the long tradition i...
This paper proposes attributes of a living computer music, the product of a live algorithm. It illus...
This paper introduces Improcess, a novel cross-disciplinarycollaborative project focussed on the des...
In this paper the livecoding environment Mercury is introduced. An interpreted language that is desi...
In this keynote Thor Magnusson will discuss work in composition, performance and the development of ...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
The Biphase performance explores techniques to create audio-visual cohesion in real-time environment...
Sonic Cultures is an immersive realtime audiovisual compositional environment with interactive gener...
ApProgXimate Audio is a browser-based sound art experiment, a distributed and participatory piece wh...
This thesis is centered on the performance practice of musical live coding, which can be described a...
International audienceThis chapter discusses possible links between the fields of computer music and...
In live human-computer music-making, how can interfaces successfully support the openness, reinterpr...
Recent decades have seen the establishment of computer software live notations intended as music sco...
The MIMIC (Musically Intelligent Machines Interacting Creatively) project explores how the technique...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
Gestural interaction in live coding performance is still in its infancy, albeit the long tradition i...
This paper proposes attributes of a living computer music, the product of a live algorithm. It illus...