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This article proposes to reflect on alternative ways of looking at and showing writer's archives. It highlights the work of the curator in the elaboration of artifacts and the realization of interventions related to the archives to be disseminated. It also focuses on the construction of pieces and exhibition and display strategies that propose crossings and subjective and/or thematic encounters between diverse elements and contexts. We encourage the generation of assemblies that propitiate the event as a result of the encounter and mutual affectation of dissimilar elements that open possibilities for new views, readings and interpretations in order to encourage the interest and circulation of these funds