论周粲微型小说中的现代与后现代主义特征 = Modernism and post-modernism in Zhou Can’s micro fiction

本文以周粲的微型小说为主要探讨对象，借鉴对于周粲作品褒贬不一的评价，研究周粲作品在新华文学的地位。有学者表示，周粲的作品受到西方现代主义和后现代主义思潮影响，笔者将以此为主要研究范围。本文也将探索西方现代主义和后现代主义特色，以西方理论分析周粲微型小说的现代主义和后现代主义特色，譬如表现主义、超现实主义、意识流、象征、隐喻、不确定性、反题材、黑色幽默和拼贴等。周粲微型小说的题材包括，城市的现代化、历史传统被淘汰、人们对于现代社会的困惑等。此外，作品中常以意识流、象征、内心独白等艺术形式反映现代生活，以荒诞、反讽和拼贴的主体去中心化叙事反映现实。周粲的作品虽没有宏观的时代背景和历史，却以小喻大，流露出深刻的哲理与寓意，表现了跨时空、跨物种、跨种族等特色。The thesis focuses on studying Zhou Can’s micro fiction and the status of his works in Singapore Chinese Literature. Some scholars stated that Zhou Can’s works were influenced by Western modernism and post-modernism. This study will use this as the main research scope. It will also explore the characteristics of Western modernism, post-modernism, and analyse their characteristics in Zhou Can’s micro fictions using western theories, such as expressionism, surrealism, stream of consciousness, symbolism, metaphor, uncertainty, opposing themes, black humour and collage. Zhou Can’s micro fiction presents themes such as the modernization of the City, the elimination of Chinese historical traditions, and the confusion of people in modern society. In addition, his works often reflect the reality of modern life using techniques such as stream of consciousness, symbolism, inner monologue, as well as absurdity, irony and collage, using the decentralization of subject matter to reflect reality. Although his works do not have a macro background or history, it shows profound philosophy and moral values, and crosses the boundaries of time, space, species and races.Bachelor of Art