Pondering the town he had invented in his novels, Anthony Trollope had 'so realised the place, and the people, and the facts' of Barset that 'the pavement of the city ways are familiar to my footsteps'. After his novels end, William Thackeray wonders where his characters now live, and misses their conversation. How can we understand the novel as a form of artificial reality? Timothy Gao proposes a history of virtual realities, stemming from the imaginary worlds created by novelists like Trollope, Thackeray, Charlotte Bronte, and Charles Dickens. Departing from established historical or didactic understandings of Victorian fiction, Virtual Play and the Victorian Novel recovers the period's fascination with imagined places, people, and facts....
George Eliot once wrote that books provide the raw material of moral sentiment that readers use to...
The idea of virtual realities has a long and complex historical trajectory, spanning from Plato's co...
This project traces a line of developing subjectivity in the history of mediation. Using Jacque Laca...
Novelists in the mid-nineteenth century speculated about the specificity and concreteness of their f...
Virtual Play and the Victorian Novel proposes a literary history of virtual reality, stemming from i...
This dissertation explores the rich intersections between realist fiction and pre-cinematic optical ...
"Virtual Victorians offers new ways of thinking about issues of representation, technology, and medi...
The article investigates a few characteristics of Dickensian textuality and the voices of Victorian ...
How is virtuality represented in fiction, and what does that say about our anticipations and fears a...
How should we deal with the ‘stuff' in books? This is the question addressed in the lead articles of...
Moving from Dickens’s unfailing popularity as a successful cultural icon, this article addresses the...
As neo-Victorian fiction continues to evolve in the contemporary era, present day readers are invite...
Fantasies of global transmission haunted the Victorian era, as demonstrated by one of George Du Maur...
Textual Encounters: Reading Character in the Nineteenth-Century Novel explores how readers experienc...
Ghosts, resemblances, ruins, paintings, and other visual phenomena in nineteenth-century British nov...
George Eliot once wrote that books provide the raw material of moral sentiment that readers use to...
The idea of virtual realities has a long and complex historical trajectory, spanning from Plato's co...
This project traces a line of developing subjectivity in the history of mediation. Using Jacque Laca...
Novelists in the mid-nineteenth century speculated about the specificity and concreteness of their f...
Virtual Play and the Victorian Novel proposes a literary history of virtual reality, stemming from i...
This dissertation explores the rich intersections between realist fiction and pre-cinematic optical ...
"Virtual Victorians offers new ways of thinking about issues of representation, technology, and medi...
The article investigates a few characteristics of Dickensian textuality and the voices of Victorian ...
How is virtuality represented in fiction, and what does that say about our anticipations and fears a...
How should we deal with the ‘stuff' in books? This is the question addressed in the lead articles of...
Moving from Dickens’s unfailing popularity as a successful cultural icon, this article addresses the...
As neo-Victorian fiction continues to evolve in the contemporary era, present day readers are invite...
Fantasies of global transmission haunted the Victorian era, as demonstrated by one of George Du Maur...
Textual Encounters: Reading Character in the Nineteenth-Century Novel explores how readers experienc...
Ghosts, resemblances, ruins, paintings, and other visual phenomena in nineteenth-century British nov...
George Eliot once wrote that books provide the raw material of moral sentiment that readers use to...
The idea of virtual realities has a long and complex historical trajectory, spanning from Plato's co...
This project traces a line of developing subjectivity in the history of mediation. Using Jacque Laca...