This essay examines how readers interpret and interact with miniature fiction by completing the narratives in these extremely short stories. This is not to suggest that more traditional short stories have always provided complete narratives, but what we have found with miniature fiction is that the reader is more often required to complete the narrative in order for the story to make sense. At the same time, this inferencing process makes readers respond to these stories as they would to texts belonging to other genres. Specifically, we will consider the following pieces of writing: an untitled 6-word story by Graham Swift, ‘The Kids Are Alright’ (148 words) by David Gaffney, ‘Water’ (186 words) by Fred Leebron, and ‘Sparkles’ (175 words) b...
In “Words [Don’t Always] Fail Me: The Complexities of Gender and Genre in Short Fiction by Female Au...
In the Art of the Short Story Hemingway elaborates on his concept of omission as it relates not on...
The proliferation of an unconventional miniature story, in the digital age, is a testament to its ri...
This essay examines how readers interpret and interact with miniature fiction by completing the narr...
This article proposes that Iser’s work on gaps and blanks, as well as recent enactivist-inspired cog...
The short-short story goes by many names, often delineated by word counts - such as microfiction (20...
This paper examines how short-short stories published on social media platforms such asFacebook and ...
Despite the almost universal insistence of short-story writers that their genre resembles poetry, th...
This work suggests ways in which 'less' become 'more' in the minimalist approach of three American s...
Drawing on her experiences as a writer and teacher of short fiction, the author offers an interrogat...
Brief paper from the Contemporary Fiction Seminar's Flash Symposium on the particular vividnesses of...
The short story has been a staple of American literature since the nineteenth century, taught in vir...
Miniature fictions under the title of ‘short shorts’ began to be anthologised in English in the 1980...
Using the illustrative case of a very short story, which generates a large number of inferences that...
Writers have been creating virtual realities since before computers were even dreamed of. Good ficti...
In “Words [Don’t Always] Fail Me: The Complexities of Gender and Genre in Short Fiction by Female Au...
In the Art of the Short Story Hemingway elaborates on his concept of omission as it relates not on...
The proliferation of an unconventional miniature story, in the digital age, is a testament to its ri...
This essay examines how readers interpret and interact with miniature fiction by completing the narr...
This article proposes that Iser’s work on gaps and blanks, as well as recent enactivist-inspired cog...
The short-short story goes by many names, often delineated by word counts - such as microfiction (20...
This paper examines how short-short stories published on social media platforms such asFacebook and ...
Despite the almost universal insistence of short-story writers that their genre resembles poetry, th...
This work suggests ways in which 'less' become 'more' in the minimalist approach of three American s...
Drawing on her experiences as a writer and teacher of short fiction, the author offers an interrogat...
Brief paper from the Contemporary Fiction Seminar's Flash Symposium on the particular vividnesses of...
The short story has been a staple of American literature since the nineteenth century, taught in vir...
Miniature fictions under the title of ‘short shorts’ began to be anthologised in English in the 1980...
Using the illustrative case of a very short story, which generates a large number of inferences that...
Writers have been creating virtual realities since before computers were even dreamed of. Good ficti...
In “Words [Don’t Always] Fail Me: The Complexities of Gender and Genre in Short Fiction by Female Au...
In the Art of the Short Story Hemingway elaborates on his concept of omission as it relates not on...
The proliferation of an unconventional miniature story, in the digital age, is a testament to its ri...