Between 1740 and 1754 Samuel Richardson, a busy and successful printer in London, wrote three novels which were to have a major impact on European literature. Possibly as a result of the prevalent tendency of feminist and Freudian critics to secularize eighteenth-century texts and to deny any spiritual meaning to them, Richardson has most often been accused of having an obsession with sex, which has led, in the second half of the twentieth century to an avalanche of Freudian criticism, beyond the scope of this study. It is my objective, therefore, to carry out an investigation into English religious and philosophical thought during the first half of the eighteenth century focussing on Richardson, on his second novel Clarissa but especially ...