Add to ORKGVisions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895–1925 by Aaron Gerow. Los Angeles: University of California Press, 2010. 323 pages. $60.00 cloth, $25.95 paper
Presentation: "Makino Mamoru and Film Theory: The Case of Nakagawa Shigeaki" by Aaron Gerow, Associa...
This course includes surveys for both cinematic and literary representations of diverse eras and asp...
“The Sword And The Screen: The Japanese Period Film 1915-1960” was a groundbreaking collaboration be...
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanes...
W rozprawie omówione zostały wczesne dzieje kina w Japonii w odniesieniu do szerszych procesów społe...
In this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke Un...
Film as a discourse is able to form impressions about the character, history, and culture of a natio...
Unrestricted"Eclipsed Cinemas: Colonial Modernity and Film Cultures in Korea under Japanese Colonial...
In this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke Un...
This book uncovers and explains the ways by which politics is naturalized and denaturalized, and fam...
In Japan state controlled active guidance of filmmakers, a central feature of many authoritarian or ...
Introduction from Transpacific Convergences: Race, Migration, and Japanese American Film Culture bef...
The release of The Robe by Twentieth Century-Fox in 1953 brought about a revolution in motion pictur...
From the immediate Post-war period to present day Japanese filmmakers have employed the\ud visual ex...
The English title of a recent book by renowned film scholar Yomota Inuhiko reads: “What is Japanese ...
Presentation: "Makino Mamoru and Film Theory: The Case of Nakagawa Shigeaki" by Aaron Gerow, Associa...
This course includes surveys for both cinematic and literary representations of diverse eras and asp...
“The Sword And The Screen: The Japanese Period Film 1915-1960” was a groundbreaking collaboration be...
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanes...
W rozprawie omówione zostały wczesne dzieje kina w Japonii w odniesieniu do szerszych procesów społe...
In this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke Un...
Film as a discourse is able to form impressions about the character, history, and culture of a natio...
Unrestricted"Eclipsed Cinemas: Colonial Modernity and Film Cultures in Korea under Japanese Colonial...
In this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke Un...
This book uncovers and explains the ways by which politics is naturalized and denaturalized, and fam...
In Japan state controlled active guidance of filmmakers, a central feature of many authoritarian or ...
Introduction from Transpacific Convergences: Race, Migration, and Japanese American Film Culture bef...
The release of The Robe by Twentieth Century-Fox in 1953 brought about a revolution in motion pictur...
From the immediate Post-war period to present day Japanese filmmakers have employed the\ud visual ex...
The English title of a recent book by renowned film scholar Yomota Inuhiko reads: “What is Japanese ...
Presentation: "Makino Mamoru and Film Theory: The Case of Nakagawa Shigeaki" by Aaron Gerow, Associa...
This course includes surveys for both cinematic and literary representations of diverse eras and asp...
“The Sword And The Screen: The Japanese Period Film 1915-1960” was a groundbreaking collaboration be...